Big Big Train in Barcelona: a masterclass in symphonic rock
Big Big Train play Barcelona for the first time: two sets at Razzmatazz 2, with career highlights and “Woodcut” in full, and the photos from the show.
Big Big Train play Barcelona for the first time: two sets at Razzmatazz 2, with career highlights and “Woodcut” in full, and the photos from the show.
The Grand Auditorium Acoustic reached shops on 6 October at 999 dollars. The second, with the Norse dragon over Pale Moon ebony, arrives in spring 2027.
The Rome quartet’s third record comes out on Aural Music. They have previewed “Of Clouds and Gleam” and now “The Deer and the Hunter”, with a lyric video.
Eleven songs cut in three and a half weeks in Prague, following “Dawn Of The Exultants And The Hunt For The Shepherd”. The band calls it “a 90s Goosebumps novel with guns”.
The Hungarian band put it out on 2 October through Psychedelic Source Records and has now posted the full stream. It mixes new songs with re-recorded live sessions.
It came out on 2 October, the day before Reich turned ninety, and collects “Music for 18 Musicians”, “Octet · Music for a Large Ensemble · Violin Phase” and “Tehilim”.
Thirty-seven singles in four years and no album: the Chicago guitarist releases his first, and eight of the eleven tracks had already come out one at a time.
Benedicte Maurseth’s Hardanger fiddle inside a contemporary music ensemble: eight pieces and forty-one minutes, out of a work premiered at Oslo’s Ultima festival in 2023.
The Swedish saxophonist goes back to the Coltrane of the final years with a piano-less quintet: five pieces in forty-two minutes, opened by a block of almost sixteen.
The Aarhus guitarist returns six years after his trio’s debut and adds clarinet and cello: twelve short pieces in thirty-nine minutes, between written chamber music and collective improvisation.
Third album by the Milan band VIII Strada: twelve minutes of new music, five live tracks and a remastered reissue of their 2008 debut, across a hundred and five minutes.
They are at Ghost Ward studios and the drum parts are done. No title and no release date have been given, and updates will come through their Patreon.
The Mercyful Fate bassist says she got an email from Iommi’s manager and assumed it was fake. The one who put her forward was producer Mike Exeter, who had been following her cover videos.
Rockstar Games has unveiled The Chamber, at 106.6 on the Leonida dial, with the two Slayer men as DJ Tom and DJ Kerry. The game is out on 19 November.
They closed White’s second night at the Truth with five songs, four of them off the debut. Third Man Records has just announced a box set for the 20th anniversary of “Broken Boy Soldiers”.
The science and music festival founded by Brian May and Garik Israelian runs in Tenerife and La Palma from 17 to 22 October. Wakeman performs with Moldovan violinist Rusanda Panfili.
Second release in a single year from the Florida band: thirteen tracks where Cody Quistad’s cleans and Briton Bond’s lows finally share the ground, with two songs carried over from April’s EP.
Hard bop, Cuban rhythms and Yoruba batá drums across five tracks: the alto player and ordained Ifá priest gathers Moses Boyd, Daniel Casimir and Deschanel Gordon around a very fast horn.
Draksler, Eldh and Lillinger take the piano trio apart for the fourth time: an interval from Ligeti, a Swedish hymn from 1589 and a club piano that judders like a mistracked record.
The Madrid quartet’s first album without founder Esteban Girón and the first they have put out themselves: seven tracks mixed by Santi García, with the synths as the floor and a drum machine on “Costa Roja”.
The Seger Guitars luthier launches a solo post-punk project. Steve Austin of Today Is The Day mixed and mastered it.
The album comes out on 93rpm, the label they founded themselves, and has Comeback Kid’s Andrew Neufeld on one of the ten tracks. It is the second with Eli Santana singing.
Recorded at the Pizza Express Jazz Club in Soho with Nathaniel Facey on alto saxophone and James Maddren on drums, five years after the same trio’s first album.
The German melodic death metal band put out the lyric video for the first single. Apostasy Records releases “Bitter Harvest” with a Paolo Girardi cover.
“V/H/S/Mixtape”, released on Shudder on 9 October, includes a video by the band Tobias Forge had before Ghost. Neither he nor the band has said anything about it.
The pneumonia he was admitted with in Portland was hiding a congenital heart condition. The postponed US dates still have no replacements and the February European run stands.
It comes out under the DreamPeace name, the ambient project he set up against his insomnia, and he wrote it after a month on retreat following “The Moth”.
Third album from the East LA band, produced by Toshi Kasai, who also plays banjo, theremin and keys on it. Classic-rooted doom played fast, with a Mariusz Lewandowski cover.
German-Chilean septet from Cologne, second album and first for Tonzonen: seven songs written one apiece, new horns and a bird from Chilean myth pierced by an arrow on the sleeve.
Third album from the Boston quartet that came out of Berklee: prog with guest sax, clarinet and flute, ten songs that bleed into one another and Casey Lee Williams holding it all up.
Debut album from the British guitarist Brian May and Roger Taylor gave a scholarship to at eighteen: seven songs road-tested for years, with the Hammond on “Sloe” and the guitar nearly always down in the foundations.
The French band’s last ever concert, taped at the Saalfelden festival in August 2007 and issued by Cuneiform eighteen and a half years later. Mellotrons, sax and zeuhl bass.
The live album, recorded at the Variety Arts Centre in Los Angeles on 5 November 1994 and released in 1996, is available again thirty years on, in digital form.
The musician has pancreatic cancer. The organisation is raising money for his treatment and the Revelation Records store is selling a shirt with the proceeds going to the fund.
The Tokyo band announced it on Friday on their Facebook page, at the end of a tenth-anniversary year with a new album, Wacken and a first night at the Nippon Budokan.
The band from Els Pallaresos are back with an album on UNFD and have shared “ITACHI · blood moon”. Neither of the two tours they have announced for the autumn has a Spanish date.
Epitaph has pressed the band’s 1983 second album again, the one with organs and synthesizers, and tucked in a letter signed by Brett Gurewitz and Greg Graffin. It sold out the same day.
Loma Vista is raffling off the chance to buy one until 12 October: a double LP at $150 with the dust pressed into the grooves, a certificate of authenticity and shipping to three countries only.
Thirty-six minutes for ten songs and the first album the Chicago singer and flautist has produced herself. Eight of the ten don’t reach four minutes.
Twenty-two musicians in the WWOZ Jazz Tent, eight arrangements and five tracks that aren’t music. Bode brings Garrett, Buckley, Coltrane and Radiohead.
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