Sarah Pillow – Wanderer
Three Mingus pieces, one by Gismonti, one by Metheny and Mays, one by Corea. The repertoire is the strong decision on a record that has split the critics.
Three Mingus pieces, one by Gismonti, one by Metheny and Mays, one by Corea. The repertoire is the strong decision on a record that has split the critics.
A Chicago piano and guitar duo that names its model outright: “Undercurrent”, by Bill Evans and Jim Hall. Four originals, four standards, forty-seven minutes.
Sixty-seven minutes of free improvisation for three, taped in Brooklyn in October 2024. Of the six pieces, only one starts with Perelman’s saxophone.
The tapes of the 1977 North American show came out of Robin Lumley’s attic and Percy Jones has remastered them. Two discs, ten pieces and the crowd in between.
The EP came out yesterday on GroundUP, Michael League’s label. It holds six songs moving between English and Spanish, with guitar, voice and little else.
“If Ever You Would Leave Us (we play for Rollins)” comes out on 20 November on Blue Note. The first preview is a tune Rollins recorded in 1962.
“Aberdeen” comes from the sessions for January’s album. And the single arrives with an announcement: “The Reservoir Sessions”, in a trio with Jorge Roeder and Joey Baron.
The single has Andreas Bjulver guesting and closes an exchange: in September it was Justine Jones singing on Cabal’s “Hurt Me”.
“Devil Is Fine x Carpenter Brut” came out yesterday on MVKA. It closes the tenth-anniversary run for the record that made Manuel Gagneux’s name.
“Lucro Sucio; Unfinished Business” comes out on 20 November on InsideOut with thirteen tracks. It is the band’s first live record since “Scabdates”, from 2005.
The Cambridge four-piece premiere “Lashed By Chain” and put out their first record for Metal Blade on 22 January 2027, nine tracks long.
The Finns’ tenth album comes out on Century Media with Miiro Varjus producing and Jens Bogren mixing, and it holds the first cover version of their career.
A Dallas quintet debuts with ten standards turned towards the Caribbean and New Orleans. Ashley Pierce sings seven of the ten and only three are instrumentals.
Five years of part-time work for forty-two minutes of ambient and downtempo made in Oakland, with PlayStation 2 startup screens as the stated model.
A Norwegian trio improvising out of a single rhythmic cell. The album opens with the first thing the three of them ever recorded together, bells worked with the left foot.
A Budapest duo’s debut: thirty-seven minutes of electronic prog about a lone voyage across the solar system. There’s a played bass on one track out of eight.
The Tuareg band’s tenth album, with José González and Sudanese singer Solafa Elyas guesting. Ibrahim Ag Alhabib and Abdallah Ag Alhousseyni harmonise together for the first time in thirty years.
An alto-and-percussion duo recorded the first day the two players ever laid eyes on each other. Forty-six minutes under nine Japanese words for rain, frost and dew.
Simon Phillips releases the whole track on video: he wrote it with guitarist Alex Sill, and Ernest Tibbs, Otmaro Ruiz and Phillip Whack play on it.
Seven tracks and forty-one minutes mixed by Santi García in Sant Feliu de Guíxols. The Madrid quartet have left InsideOut and Jorge García has come in on guitars and synthesisers.
Fourteen movements and an hour of ballet on the myth of Pandora, with Sam Shepherd playing synthesisers live from inside the San Francisco Ballet Orchestra.
The 73-year-old tenor re-records the pieces from his first two albums with a septet and four guests. Fifty minutes, seven tracks and a density that costs him.
Thirty-eight minutes of piano trio recorded in Chicago: five originals, two standards and a José Alfredo Jiménez ranchera played solo.
Twelve songs cut live in the studio, with electric sitar, swarmandal and Hammond organ. The second album by the Stoke-on-Trent quintet, out on Popclaw.
Tu-Ner’s second live album: seventy-seven minutes recorded in a single night in Vermont. Of the eleven pieces, three are King Crimson’s and only four are the trio’s own.
Out on 11 December, newly remastered, on two LPs and double cassette with the original artwork. It is the record where Sakamoto remade his own pieces for piano, cello and violin.
Nine tracks with Adrian Bushby at the desk and George Perks mastering. The tour hits the UK in April and the continent in May, with nothing in Spain.
Strings For Kids sells the strings he has played on the Fifty Something tour. Net proceeds go to SickKids in Toronto and St. Jude in Memphis.
Three tracks cut at the “Apocalypse” sessions that never made the album. The deluxe, on two CDs, adds four live recordings from Chalet Studios and a live title track.
A concept album set in 1979 that Babb wrote from end to end in the months after surgery. The band has put out a video for “Lost Horizons”.
Karisma has it on CD, digital and marbled vinyl. The four tracks were written during the “Fimbulvinter” sessions and finish the run that album opened in 2025.
The double single is out on Blue Grape Music and is the Dallas band’s first new material since 2020. A full album, cut with Jacob Hansen, is set for spring 2027.
The bassist, who is seventy-four, was the last founder left in the band. Advanced arthritis has ended it, and Rimmer —who already played the London show on 21 September— steps in.
The fiftieth anniversary edition is out on 20 November on double vinyl, double CD and digital. “Street Kids” can already be heard.
It is on 24 October at three in the afternoon and you have to RSVP. Donations go to Human Concern International and are split evenly between the three countries.
Craft Recordings puts it out on 11 December as a seven-LP or four-CD box. The first taste is an alternate version of “Against Th’ Law”, from the second volume.
It comes out on LP, CD, Blu-ray and DVD on One Little Independent. The concert is from 24 October 2021 at the Harpa hall, drawing mostly on “Medúlla”.
The Chicago duo is Emily Rach Beisel on bass clarinet and Bill Harris on drums. Half the record was taped live at the Hungry Brain.
Eleven tracks written with Charlie Benante, with John 5 and Zakk Wylde guesting. The first single, “Already Dead”, comes with a video shot in a morgue.
Music For Nations and Sony are putting “Deliverance” out again on 27 November on CD and a limited clear double vinyl. Pre-orders are open at Burning Shed.
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