Ron Carter & Yotam Silberstein – Duets
Eight pieces and a little over thirty-four minutes, cut in a single day at the Van Gelder Studio: Carter returns to the bass-and-guitar duo fifty-two years after the first one with Jim Hall.
Eight pieces and a little over thirty-four minutes, cut in a single day at the Van Gelder Studio: Carter returns to the bass-and-guitar duo fifty-two years after the first one with Jim Hall.
A first album from the Russian trio: four tracks on the digital, fifty-one minutes and not one piece under eleven; the fifth composition only comes with the CD or the vinyl.
A third EP in ten months and a third with four tracks: twenty-three minutes of post-metal from Caen in which the shortest song the band have ever recorded arrives second and never returns.
Ten complete shows recorded between 2019 and 2026 and mixed at 4AD’s studio, all of it free. A new one goes up on the second Tuesday of every month.
Both remasters are already on streaming and the vinyl follows on 11 December. “Humpty Dumpty LSD” restores the two tracks that in 2002 only made the double LP.
Six LPs and six CDs, out on 13 November, with a rarities album titled “Motorvatin’!!!”. Michael Monroe explains how Ian Hunter wrote them three sets of lyrics in one night.
Seven tracks and forty minutes of death metal that Gabriele Gramaglia, of Cosmic Putrefaction, made almost single-handed. It is out on 16 October and already up on YouTube.
The third advance track from the second album is a fifteen-minute short film, with Justin Pearson as a priest and Lucien Greaves as Death. Relapse releases the record on 30 October.
Fifteen songs about how people react to collapse, with words by Hildegard of Bingen and Longfellow. It comes out through Napalm and the tour has no Spanish date.
Three imprints of the Lleida label bring back the album Pathé Marconi pressed in 1981 and never distributed, a record given away with a candy bar, and three more rarities.
The second album by Kris Davis’s trio with Hurst and Blake: both of them write for it, a Feldman piece gets in, and the free improvisation is the shortest track of all.
First solo album by Mystery’s guitarist: fifteen covers, not one composition of his own, and a “Shadow of the Hierophant” two and a half minutes shorter than Hackett’s.
Sixth solo album in six years and the second running to come out of reading Jung. Nine fusion instrumentals, two keyboard players who never meet, and a voice that waits until the end.
Graveyard’s seventh album: nine songs, thirty-eight minutes and nobody from outside producing it. It is signed by a line-up that broke up on 30 June.
The first advance track from the Norwegian band’s fourth album, out on 11 December through Season of Mist. Fredrik Nordström mixes it and Destructhor, ex-Morbid Angel, plays on it.
The expanded edition of July’s album adds four unreleased recordings plus “Bad Luck Hideaway”, cut in 2015 with Charlie Watts. It comes on red vinyl and double CD.
The fifth album is out on 19 February through Chrysalis. She wrote, produced and arranged it on her own and plays almost every instrument; the first track heard from it is “33”.
Out on 16 October with Joe Lovano as a guest. It was recorded in Rome in July 2025 with Manfred Eicher, and the nine tunes are written by all six players, not only the trumpeter.
The fourth and last advance track from the album out on Friday through Napalm: thirteen songs, one per card of the Major Arcana. It is the Italian band’s first studio album since 2023.
The first advance track from the album, out on 29 January through Frontiers, is also the band’s first original song with Mattias Olofsson, who replaced Tommy Karevik in February.
Her first solo studio album in eight years, made by four people at Lucid Studios. The voice arrives intact; what the record never finds is somebody to push back against it.
Twelve instrumentals and one name on the credits, out in Berlin School country. The two pieces meant to carry the album are also the two shortest on it.
One stereo microphone in front of the quartet and a MiniDisc recorder: Smith releases the second set from Gateshead in 1999 exactly as it sounded, with no desk and no repairs.
Frank Wagner’s trio bills its first record as a trio record, and on five of the eight tracks there’s Ben Sutin’s guest violin: the Piazzolla homage and the closing Hendrix included.
A trio with no double bass: Nicki Adams’s piano covers the bass’s job and its own at the same time, and that leaves nine tracks with very little room to breathe.
Nine tracks cut in two days in Nashville, with a guitar inside the quintet and one single let-up: the only place the record eases off is a Marvin Gaye cover.
A Dutch debut of two discs and nineteen tracks about Morgana, recorded in the studios of the Enschede conservatory with an orchestra, a choir and six guest voices. “It got a bit out of hand,” says the singer.
Erlend Viken, Soup’s singer, plays almost everything here and did the artwork as well. The one thing he can’t do alone is the strings, and they’re what decide the record.
The label brings its 2017 record back for its twentieth anniversary: produced by Moses Boyd, with Shabaka Hutchings, Binker Golding and Shirley Tetteh among the players.
On 13 October they posted a photograph of the five of them at Ytse Jam Studios, captioned “#DT17 is underway”. No title and no date have been given.
Sixteen tracks recorded from 27 to 31 August 2025 at Doornroosje, the first shows in eleven years by the “Mandylion” line-up. Bandcamp only, for now.
Out on 11 December through Season of Mist, it gathers what the trio recorded with Ninja Theory for the game. This month they go into LAVA Studios for the fourth album.
It’s the third advance track from the fifth album, out on 16 October through XL, and the first guest collaboration to appear on a Fontaines D.C. album. They play Barcelona on the 24th.
The Catalan label, founded in 2015, joins the major. The company is renamed Cosmic Sound SL and the artists keep ownership of their masters.
Cooking Vinyl puts out four editions on 11 December, and the three-LP one is numbered and limited to 1,976 copies, the year of the album.
“K-Reinkarnate” was cut live to two-inch tape by the original line-up. It restores three songs from the 1996 sessions that had been left off.
The Sydney quartet puts it out on 12 February through Nuclear Blast. The only song they had already been playing live opens the record and was the first taste.
It is the first taste of “Circuit Breaker”, the album Frontiers releases on 26 March. Kai Hansen and Roger Glover guest on two more tracks.
The fifth album arrives on 16 October through Napalm Records and follows “Space 1992: Rise Of The Chaos Wizards”, from 2015. The new taste comes with an animated video.
Eleven songs cut with Zeuss at Planet Z, with Jeff Loomis guesting on “Glass House”. The first taste is “Escapegoat”, with a video.
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