Rock Progressiu

Les novetats, cròniques, entrevistes i concerts de rock progressiu —rock progresivo, en castellà—, en català: des dels grans clàssics fins a les bandes que avui construeixen obres extenses i ambicioses, amb capes de so i estructures que trenquen el format cancó. Tótum Revolútum Press hi dedica seguiment i cobertura des del 2015.

Portada de «Pharmakon», de FatherSon

FatherSon – Pharmakon

Second album from father and son Kramarski: pop-rooted neo-prog about the technology that cures and poisons, and the first one with a flesh-and-blood drummer on it.

Portada de «In A Fever Dream», d'Haken

Haken – In A Fever Dream

Twenty-six minutes, five tracks and no bassist of their own: Haken arrive with a single guitarist, two guest bass players and three short pieces at the centre of the record.

Portada de «Quivira», de Quivira

Quivira – Quivira

Eleven tracks and sixty-six minutes of symphonic prog from Topeka. The violin that brings them close to Kansas comes from the keyboards on ten of the eleven, and the guest who really plays one goes almost unnoticed.

Portada de «No Rewind», de Moonrise

Moonrise – No Rewind

Eight tracks and fifty-two minutes from Kamil Konieczniak’s project, who plays almost everything: Polish neo-prog seven years after “Travel Within”, with two guest voices and none of its own.

Portada de «Was», de The Tangent

The Tangent – Was

Two discs and a hundred minutes telling the same childhood twice: once with lyrics and once as an instrumental suite, with The Nice’s “Five Bridges” as its starting point.

Portada de «Born From Dark Waters», de Nymue

Nymue – Born From Dark Waters

A Dutch debut of two discs and nineteen tracks about Morgana, recorded in the studios of the Enschede conservatory with an orchestra, a choir and six guest voices. “It got a bit out of hand,” says the singer.

Portada de «III», de Giantsky

Giantsky – III

Erlend Viken, Soup’s singer, plays almost everything here and did the artwork as well. The one thing he can’t do alone is the strings, and they’re what decide the record.

Portada de «Allicanto», de Taihr

Taihr – Allicanto

German-Chilean septet from Cologne, second album and first for Tonzonen: seven songs written one apiece, new horns and a bird from Chilean myth pierced by an arrow on the sleeve.

Portada de «stop/go», d'Ok Goodnight

Ok Goodnight – stop/go

Third album from the Boston quartet that came out of Berklee: prog with guest sax, clarinet and flute, ten songs that bleed into one another and Casey Lee Williams holding it all up.

Portada de «Synthetic», de Leoni Jane Kennedy

Leoni Jane Kennedy – Synthetic

Debut album from the British guitarist Brian May and Roger Taylor gave a scholarship to at eighteen: seven songs road-tested for years, with the Hammond on “Sloe” and the guitar nearly always down in the foundations.

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