Yes reschedule the «Fragile» tour Steve Howe’s surgery halted to May 2027
Nine new UK dates from 2 to 16 May, with old tickets still valid. Howe, three months after the operation: “I’m making progress, slowly.”
Les novetats, cròniques, entrevistes i concerts de rock progressiu —rock progresivo, en castellà—, en català: des dels grans clàssics fins a les bandes que avui construeixen obres extenses i ambicioses, amb capes de so i estructures que trenquen el format cancó. Tótum Revolútum Press hi dedica seguiment i cobertura des del 2015.
Nine new UK dates from 2 to 16 May, with old tickets still valid. Howe, three months after the operation: “I’m making progress, slowly.”
Forty-one minutes of solo acoustic guitar, no layers, no effects. Matthew Nichols brings metal phrasing to four ten-minute pieces, and sometimes runs short of air.
Sixth album in six years from Ted Leonard and John Boegehold’s quartet, with brass, strings and a bare piano ballad. The craft is impeccable and the ending falls short.
Clive Nolan previews ‘The Woman from Varteig’, featuring Christina Booth, from his forthcoming concept album about King Håkon Håkonsson, out 2 October.
Raphael Weinroth-Browne builds a 44-minute record out of a single looped, layered acoustic cello — hypnotic at first, formulaic by the second half.
Green Carnation close their Rimbaud-inspired trilogy with three band tracks and a 17-minute orchestral suite performed with no distortion, bass or vocals at all.
TEMIC preview ‘Ashes’, the third track from ‘Ceiba’, their concept album about loss, out 2 October through Season of Mist.
Gregory Spawton talks identity, loss and continuity ahead of Big Big Train’s first-ever Spanish show: 7 October at Razzmatazz 2, on the Woodcut tour.
Bjørn Riis closes the ‘Fimbulvinter’ trilogy with ‘Divergence’, four new songs out 13 November on Karisma Records.
Ozric Tentacles release ‘Harmonic Mind’, their seventeenth studio album, on Kscope: six tracks recorded at the members’ own home studios.
CBC’s ‘Neil Peart: No One’s Disciple’, which premiered in Toronto with Geddy Lee and Alex Lifeson present, airs on 23 September within ‘The Passionate Eye’.
Marillion return to Barcelona on 25-26 June 2027 for a Marillion Weekend at L’Auditori — the promoter grew out of the band’s own Spanish fan club.
Barcelona’s Sala Apolo is the only Spanish stop on The Pineapple Thief’s 2027 tour behind «Far and Wide».
John Mitchell closes the Lonely Robot cycle with «An Ending», sixth and last album of the Astronaut saga, with Craig Blundell on drums.
Thomas Miller’s Lazarus Effect reunites him with former Symphony X bandmates Michael Romeo and Michael Pinnella.
Dutch trio Gates Of Kiev’s self-titled debut was mixed by White Willow’s Jacob Holm-Lupo, with «Silhouette» as its first video.
«Bowie’s Vision», from Wakeman’s «Return to the Red Planet», pays tribute to the man whose «Life on Mars?» he once played piano on.
Anciients re-record their 2011 track «Humanist» ahead of a European tour stopping at Razzmatazz 3 on 13 October.
Hackett’s «Best of Genesis & Solo Gems» tour stops only in Madrid and Barcelona in Spain; tickets open Friday at 11am.
The story of Pan y Música, the Barcelona record shop that opened a generation of fans’ ears to European prog rock and the homegrown scene it shared shelf space with.
Haken’s deluxe EP edition adds instrumental versions of all five tracks, ahead of a European tour opening at Razzmatazz 2 on 23 September.
Krokofant’s double record «7», out 27 November, is a tribute to drummer Axel Skalstad, who died in an accident in 2025.
Wilson’s ninth solo album features narration by Andy Partridge read by David Tennant, and comes with two Royal Albert Hall shows in October.
Eric Forrest stepped in for Denis «Snake» Bélanger and ended up playing Voivod’s entire European tour, twenty-five years after leaving the band.
Dailor discusses the documentary released ahead of «Marrow Deep», Mastodon’s first record without founding guitarist Brent Hinds.
Catley credits Tobias Sammet’s Avantasia tour with getting him back on stage, and former guitar tech Brendon Riley with filling Clarkin’s spot.
Rudess plays two shows at MIT Future Fest with jam_bot, an AI trained on his playing, including a world-premiere improvisation with the MIT Chamber Chorus.
Haken play Razzmatazz 2 in Barcelona on 23 September, with Ihlo and Ancient Fragments, in a Madness Live date.
Be Prog! My Friend returns to the Poble Espanyol on 25-26 September for its eighth edition, headlined by Soen and The Ocean.
Big Big Train make their Spanish debut at Razzmatazz on 7 October, presenting ‘Woodcut’ in a set running over two hours.
Devin Townsend plays a solo acoustic show with audience Q&A at Salamandra on 10 October, seated capacity.
Wucan and Anciients share the bill at Razzmatazz 3 on 13 October, presenting ‘Axioms’.
Myrath present ‘Wilderness of Mirrors’ at Wolf on 25 October, with Roses of Thieves opening.
Pendragon play Apolo 2 on 3 November, part of a short tour while they record their next album.
Obscura and Pestilence headline Shred Fest 2027 at Wolf on 5 February, with Cryptic Shift, Thus and DVRK.
Steve Hackett plays his only Catalan date at Paral·lel 62 on 4 November 2027, with ‘Best of Genesis & Solo Gems’.
SATCHVAI’s «The Sea of Emotion» is out 6 November via earMUSIC, with Kenny Aronoff, Mike Mangini and Billy Sheehan guesting.
Seven July-August 2026 releases reviewed: Mono, Satoko Fujii Orchestra Kobe, Anthony Phillips and more, plus what’s coming this autumn.
Eleven June-July 2026 releases reviewed: Ayreon, Snarky Puppy & Metropole Orkest, The Samurai Of Prog and more.
Five March 2026 releases reviewed: Frost*, Agent Fresco, Wheel, Meer and a Krokofant live album.