NeBeLNeST – Saalfelden 2007
The French band’s last ever concert, taped at the Saalfelden festival in August 2007 and issued by Cuneiform eighteen and a half years later. Mellotrons, sax and zeuhl bass.
Les novetats, cròniques, entrevistes i concerts de rock progressiu —rock progresivo, en castellà—, en català: des dels grans clàssics fins a les bandes que avui construeixen obres extenses i ambicioses, amb capes de so i estructures que trenquen el format cancó. Tótum Revolútum Press hi dedica seguiment i cobertura des del 2015.
The French band’s last ever concert, taped at the Saalfelden festival in August 2007 and issued by Cuneiform eighteen and a half years later. Mellotrons, sax and zeuhl bass.
The live album, recorded at the Variety Arts Centre in Los Angeles on 5 November 1994 and released in 1996, is available again thirty years on, in digital form.
The tapes of the 1977 North American show came out of Robin Lumley’s attic and Percy Jones has remastered them. Two discs, ten pieces and the crowd in between.
“Lucro Sucio; Unfinished Business” comes out on 20 November on InsideOut with thirteen tracks. It is the band’s first live record since “Scabdates”, from 2005.
A Budapest duo’s debut: thirty-seven minutes of electronic prog about a lone voyage across the solar system. There’s a played bass on one track out of eight.
Tu-Ner’s second live album: seventy-seven minutes recorded in a single night in Vermont. Of the eleven pieces, three are King Crimson’s and only four are the trio’s own.
Strings For Kids sells the strings he has played on the Fifty Something tour. Net proceeds go to SickKids in Toronto and St. Jude in Memphis.
Three tracks cut at the “Apocalypse” sessions that never made the album. The deluxe, on two CDs, adds four live recordings from Chalet Studios and a live title track.
A concept album set in 1979 that Babb wrote from end to end in the months after surgery. The band has put out a video for “Lost Horizons”.
Karisma has it on CD, digital and marbled vinyl. The four tracks were written during the “Fimbulvinter” sessions and finish the run that album opened in 2025.
Music For Nations and Sony are putting “Deliverance” out again on 27 November on CD and a limited clear double vinyl. Pre-orders are open at Burning Shed.
Five tracks and thirty-seven minutes from the Brazilian duo, with an opening piece of fifteen minutes and forty-nine seconds and three of the five songs sung by guests.
The trio’s first studio album in ten years is dedicated to King Crimson’s “THRAK” and comes in two complete mixes: same material, two different running orders.
Mateusz Owczarek (Lion Shepherd), Michał “Fox” Król and Michał “Malina” Maliński (Hey) complete the line-up. Until now Lunatic Soul was a studio project and had never played live.
Erlend Aastad Viken, of Soup, closes the Giant Sky trilogy with eight tracks cut in 2024 and a guitar from Mogwai’s Stuart Braithwaite on the final song.
The Londoners’ fifth album is the first with a full-time keyboard player: ten songs that don’t reach forty minutes and trade the long build for the chorus.
From Aix-en-Provence on 13 March to Strasbourg on 4 April, by way of Istanbul, Sofia and Bucharest. Nothing in Spain, and the support acts sit out the opening night.
The quartet built around Colin Edwin and Pat Mastelotto are still touring “Firehose of Falsehoods”, out on 21 March 2025 on Kscope. The calendar has nothing in Spain.
30 July to 1 August at Magna in Sheffield. The headliner, announced earlier, is Mick Gordon, playing the “Doom” soundtrack in full for the first time.
The second album by Sicily’s Alcantara: six tracks of Mediterranean space rock sung half in Italian and half in English, issued on vinyl first and only later on the platforms.
Nat Bergrin writes every note and leaves only bass and drums free: sixty-four minutes of chamber music with violin, two saxophones and a rock rhythm section.
Seven tracks on Church Road Records, with “Pedestal” as the second preview after “Landslide”. It is the Wigan quartet’s first album since 2021.
Stuttgart, Bonn, Rüsselsheim, Nuremberg and Berlin between 27 April and 3 May. They are his first dates since “Tears in Time” came out.
Third album from Italian quartet AetheR: six tracks running from a piano miniature to a ten-minute finale, with Andrea Serino’s Fender Rhodes as the house colour.
Francesca Badalini’s Milan quartet scores the centenary of “Battleship Potemkin”: five movements, forty-one minutes and no period pastiche.
The Marquee show of 30 October 1974, complete and on its own for the first time: two CDs, fourteen tracks and a band that hadn’t finished “The Snow Goose” and was already playing three pieces of it.
Six songs and thirty-three minutes that the Gong frontman played and recorded entirely on his own, bass always last. It closes the trilogy “Hip To The Jag” opened in 2020.
Andrea Rondanini sings on it again and the first advance track is “Drowning Slowly”. Six tracks through Argonauta Records.
The digital deluxe edition came out on 2 October through InsideOut and adds the ten songs without vocals. The original album is from 12 June.
Eighteen and a half minutes of “Plowman of the Sky” carry the album on which Rafael Pacha trades Celtic folk for fusion. He plays zither, viola da gamba, electric violin and whistles on it.
Gong’s guitarist and singer put it out on 2 October through Believers Roast and Bad Omen. Thirty-three minutes, six tracks, and the bass always recorded last.
He said it on the “Sixty Scales And The Truth” podcast on 29 September. The acoustic Metamorphosis tour reaches Salamandra on 10 October.
Z Machine’s saxophonist records an album about water almost single-handed, with glass bottles and water percussion. Two of the eight tracks are the same piece reversed, and that doesn’t hold.
The San Diego sextet fits chamber music, math rock and jazz into nine tracks and thirty-four minutes, with two voices that never stop. That’s also the one thing they can’t vary.
Molstone’s first album arrives twelve years after the band formed, written by the man who sang on the first two Flamborough Head records. Dutch neo-prog with craft, and with a catalogue feel.
Haugg had been in since 2016 and Ruckert since 2018. The band say the decisions were a long time coming and that every announced show will go ahead.
Ninth album from the Tacoma one-man band: six tracks, forty-three minutes of melodic progressive metal, seven years after “Last Watch Of The Nightingale”.
Fourth studio album from the Loughborough band who were called Minas Tirith in the seventies: twelve tracks, sixty-nine minutes of hard rock with keyboards, nearly all of it mid-tempo.
The British band’s ninth album stacks spoken-word verses, metre changes and bass flute into a record about mental wear, and closes on nine minutes of consolation.
The fourth instalment of the series Thelen began in 2015, cut across eight cities from Bucharest to Krefeld, with Eivind Aarset on all eight tracks.
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