Floating Points & San Francisco Ballet Orchestra – Mere Mortals
Fourteen movements and an hour of ballet on the myth of Pandora, with Sam Shepherd playing synthesisers live from inside the San Francisco Ballet Orchestra.
Rock alternatiu —o rock alternativo— i propostes que no encaixen en cap altra etiqueta: Tótum Revolútum Press hi recull novetats discogràfiques, concerts i entrevistes de bandes que construeixen un so propi, al marge dels circuits més comercials.
Fourteen movements and an hour of ballet on the myth of Pandora, with Sam Shepherd playing synthesisers live from inside the San Francisco Ballet Orchestra.
Twelve songs cut live in the studio, with electric sitar, swarmandal and Hammond organ. The second album by the Stoke-on-Trent quintet, out on Popclaw.
Out on 11 December, newly remastered, on two LPs and double cassette with the original artwork. It is the record where Sakamoto remade his own pieces for piano, cello and violin.
It comes out on LP, CD, Blu-ray and DVD on One Little Independent. The concert is from 24 October 2021 at the Harpa hall, drawing mostly on “Medúlla”.
Ten tracks and thirty minutes of electronics, lo-fi and shoegaze about having nowhere to live. Jesper Vervoort says the record was building the home while he made it.
The song closes MUSK, Alex Gibney’s documentary, which opens tomorrow in New York and Los Angeles. Byrne wrote it using phrases Musk has used himself in interviews and statements.
The Londoners’ fifth album is the first with a full-time keyboard player: ten songs that don’t reach forty minutes and trade the long build for the chorus.
One night for the Sweet Stuff Foundation and CORE, with The Kills, Chad Smith, Weird Al Yankovic and Jack Black. Tickets go on general sale on 9 October.
The third European date announced for the Faith No More return, after Mystic in Gdańsk and Rock For People. Tickets go on sale on 9 October at 10.00.
The song is from “Real Life Evolution”, which came out in June. The twentieth anniversary tour adds a Barcelona date that still has neither venue nor day.
It is out on 13 November through Beggars Banquet in a UK and European edition. It was the band’s second album and their first for a major.
Donita Sparks found the song in the archive: they cut it with Janis Tanaka, who has returned on bass after Jennifer Finch’s death. Free download for the first week.
The expanded edition arrives on 11 November through Topshelf and is the first on vinyl. Joe Stevens shelved the song in 2024 and came back to it.
3 to 5 June at the Parc del Fòrum. Massive Attack make their festival debut after rain washed out their 2026 show, and tickets go on sale on the 9th.
Twenty-eight and a half minutes of Atlanta shoegaze with the vocal pushed to the front of the mix and hip-hop drum machines underneath. Siichaq’s third album in three years.
The duo of Jordi Prats and Monique van der Kolk, formed after Harvest, is recording a six-song EP sung entirely in Dutch, still untitled.
It happened on 3 October at Merriweather Post Pavilion. The song is Audioslave’s and the pro-shot video has been released in full.
John Stirratt and Pat Sansone play seven Spanish dates, two of them in Catalonia: the Festival Accents in Reus and the Antiga Fàbrica Estrella Damm with Delicatessen.
Three Soundgarden songs at Merriweather Post Pavilion on Saturday 3 October, with the band’s original drummer and Pearl Jam’s guitarist. Morello joined them.
On 1 October at the Palacio de Bellas Artes, with orchestra, choir and Mariachi Gama 1000 for the encore. Today he plays Guanajuato to open the 54th Cervantino.
The sixth solo record from Vastum’s guitarist, on Ishtar’s descent: thirty-seven minutes of drone and trumpet, with harsh vocals on two tracks only.
The album is out on 30 October through Fantasy, eleven tracks produced by A. G. Cook. It’s the band’s first since “Frog In Boiling Water”, from May 2024.
The five-LP box arrives on 18 December through UMe, as a standard set and on coloured vinyl. It collects the expanded editions of the five “Mellon Collie” singles.
Twenty-one tracks from the twentieth-anniversary show at the Palau, with the Quartet Brossa, Rosenvinge, Anni B Sweet and Howe Gelb, and eight songs from that night left out.
Eighteen songs recorded at the Barbican in London on 1 March 2025, with twenty-five musicians and the Shards choir, and a concert film directed by Cuan Roche.
The box arrives on 13 November with the remastered album, the Boston and Passaic shows, an unfinished outtake and the 5.1 and Atmos mixes on Blu-ray.
The sixth album comes out on Sumerian and was written in 2025, the year after their mother died. The European leg in March has no Spanish date.
Envy of None’s singer reaches her second solo album: twelve tracks cut on a laptop in hotel rooms, with Alex Lifeson on two of them.
Ten tracks moving between alternative rock, metal, synthpop, folk and grunge. The first single, “Come To Light”, is out with a video.
It’s the second single from “Dopamine Chamber”, out 16 October on XL. Eight days later they play Barcelona, one of four sold-out European dates.
The statement talks about dormancy rather than a split, but admits the band have no diary beyond 2027. A UK tour and new music come first.
The Power to the People Festival takes place on Saturday in Maryland and will be streamed in full and for free on YouTube from one in the afternoon, Eastern time.
The St Albans band will stop recording and playing from 31 December 2027. “It may end with an eruption back into activity, or may end with extinction.”
Agent Fresco, a Reykjavík quartet founded in 2008, combines progressive rock, math rock and art rock; their most recent album is Destrier (2015).
The Toronto duo’s fifth album lands on 29 January and the title track is out now. The North American tour starts in February.
“The Distance Between The Killer And The Killing” arrives on 26 February via NANOQ. It’s a single 46-minute instrumental piece, built from sessions recorded between 2012 and 2025.
Nineteen unheard demos and fourteen unreleased studio recordings, forty-two non-album tracks and two concerts, one of them at the Hollywood Bowl and still unissued. Out on 13 November.
“Marked for Death” is ten years old to the day, and the label has used the date to open pre-orders on both records, with two runs of five hundred copies and tour-only variants.
Ten songs that all fit between 3:17 and 4:31, with Robin Finck and Matt Chamberlain in the band. Chelsea Wolfe’s ninth album has the songs in place and the mix against it.
Orella d’Ós, the Matadepera progressive pop-rock band with influences from Porcupine Tree and Radiohead.
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