New Releases: May
Twenty-three May releases in brief: Candlemass, The Flower Kings, Kadavar, Ghost Bath and more.
Twenty-three May releases in brief: Candlemass, The Flower Kings, Kadavar, Ghost Bath and more.
Twenty-one April releases in brief: Ghost, The Mars Volta, Panzerballett, Hiromi Uehara and more.
Twenty-seven March releases in brief: Steven Wilson, Jethro Tull, IQ, Coheed and Cambria and more.
Steven Wilson’s The Overview promises a concept album but delivers a scattered, unfinished-feeling double CD — even at his worst, still essential.
Twenty-two February releases in brief: Dream Theater, Avantasia, Rioghan, Squid and more.
Fourteen January releases in brief: Pentagram, Jazz Sabbath spoofs aside, Krokofant, Sotomonte and more.
Tótum Revolútum Press readers vote for the best album, best debut and best Catalan album of 2024 — with a photo-finish tie at the top.
Ten tracks that thrilled us in 2024, from DarWin and Gardenhead to Jon Anderson & The Band Geeks and Frost*.
Fifteen December releases in brief: Jazz Sabbath, Fleshgod Apocalypse, Odd Crew Part III, Wizrd and more.
Twenty-six November releases in brief: Opeth, Klaus Schulze, Rick Wakeman, Vola and more.
Opeth return to growled vocals on The Last Will and Testament: a dark, baroque, cinematic concept album that rewards repeat listens.
Devin Townsend’s PowerNerd swings from ’80s-metal empowerment anthems to Ziltoid-adjacent electronics — an emotional record about grief, loss and getting older.
Twenty October releases in brief: Blood Incantation, Frost*, Devin Townsend, Von Hertzen Brothers and more.
Twenty September releases in brief: David Gilmour, Pure Reason Revolution, Weather Systems, Steve Howe and more.
Twenty-one August releases in brief: Jon Anderson & The Band Geeks, King Gizzard, Leprous, Moonloop and more.
Fifteen July releases in brief: Deep Purple, Focus, Judas Priest-adjacent power metal, Barcelona’s own Ulls, and more.
Seventeen June releases in brief: Black Country Communion, Alcest, DarWin, Meltem and more.
Haishen’s debut full-length, built around Chinese mythology, is one of the most thrilling metal/prog debuts of the year — a trio that earns every one of its wild genre shifts.
Thirty-four April-May releases in brief: Amarok, Haishen, Wheel, Bear McCreary and more.
Finnish trio Wheel’s densest, heaviest album to date: a dark, polyrhythmic record built on contrast between restraint and force.
Barcelona duo Magic Brother & Mystic Sister open a tarot-themed song cycle steeped in prog-jazz, psychedelia and folk — and leave us wanting Part II.
Polish art-rock band Amarok’s fifth album: gentle, beautifully arranged music, best enjoyed on days that call for something that won’t disturb your zen.
A band with names like Dandy Piranha and Machete Carrasco deliver a record far richer than their goofy alter egos let on — flamenco-rock, punk and Greek choruses included.
Ruud Jolie’s intermittent project returns after seven years, with Kristoffer Gildenlöw and Léo Margarit — an accessible, friendly entry point into progressive rock.
Eighteen March releases in brief: Judas Priest, Myrath, Bruce Dickinson, The Black Crowes and more.
Derek Sherinian and Ron ‘Bumblefoot’ Thal’s new supergroup debuts with polished, correct progressive metal — impeccable execution in search of its own personality.
The Norwegian composer offers a full eleven-track album paired with its own orchestral version, an arrangement exercise more than a reinterpretation.
Eight years after their debut EP, Regna return with a mature symphonic-rock album crowned by the 20-minute suite “Accolade”.
After 17 years of silence, the Californian collective returns with a dark, Dadaist experimental-rock record full of dramatic invention.
A new line-up with Alberto Bravin and Oskar Holldorff keeps the classic Big Big Train sound intact — beautifully made, if sometimes short on spark.
Norwegian musicians from Wobbler and Jordsjø close their 30-year Airoea trilogy with a warm, retro slice of classic progressive rock.
His thirty-second album is uneven in production but shows Hackett still capable of real guitar magic, especially on “Enter the Ring”.
A consistently melancholic solo record from the former Pain of Salvation bassist — beautiful within its narrow emotional range.
Bruce Soord and Gavin Harrison deliver a polished, consistently excellent record from one of prog’s most respected working bands.
Madrid instrumental band Sekba return with a rhythmically dense post-rock record that could use more melodic anchoring.
Metal veterans Saxon stay true to classic heavy metal form, with songs ranging from Marco Polo to the Battle of Hastings.
This Toulouse trio fuses psychedelia, punk and prog into one of 2024’s most demanding, rewarding albums.
The Australian band’s sixth album is technically flawless but compositionally repetitive, with a genuinely bloated closing suite.
A striking Finnish debut blending Tool-esque odd meters with unusually strong melodic songwriting.
A record of strong bookends and a less remarkable middle stretch from one of avant-garde jazz’s most respected guitarists.
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