ECM and Manfred Eicher receive the National Concert Hall’s lifetime achievement award in Dublin
Cellist Anja Lechner accepted it on Eicher’s behalf on 30 October, at one of the concerts in the series the hall is devoting to the label this autumn.
Cellist Anja Lechner accepted it on Eicher’s behalf on 30 October, at one of the concerts in the series the hall is devoting to the label this autumn.
Bassist Martin Mendez says the run that started on 1 November in Santiago, Chile, is the last one for “The Last Will And Testament”, and that the band will stop after it.
Pianists Tania Giannouli and Nik Bärtsch released “Metakosmos” on 23 October through Fuga Libera: eight duo pieces recorded in April 2025 in Ludwigshafen.
The Fall’s “Post Script” came out on 2 October through Cog Sinister: nine tracks featuring the voice of Mark E. Smith, who died in 2018, credited to Smith, Ed Blaney and Simon Archer.
The New York multi-instrumentalist, whose father was Pharoah Sanders, has an eight-track album coming on Gilles Peterson’s label. The third single came out today.
The New York band, who made three albums with Century Media, have finished tracking their Metal Blade debut with Colin Marston, who is also mixing it. They’re back in Europe with Knoll this month.
Chercán, a quintet from Valdivia, Chile, released “Canto de silicio”, their second album, on 23 October: twelve tracks with saxophones, flute and guest strings on three pieces.
Saxophonist Marty Ehrlich released a 42-track double CD of Julius Hemphill’s compositions for saxophone quartet on 28 August, through Out Of Your Head Records.
Harmonica player and pianist Howard Levy released “Heavy World” on 25 September: twelve solo pieces, made up of originals, improvisations and arrangements of Bach, Saint-Saëns and traditional tunes.
The Atlanta quartet, who made three albums with Season of Mist, debut on a new label with the fourth. The fourth has eight tracks, a new lineup and a first single, “Nigredo – Initium”.
The London drummer returns with twelve tracks blending gospel, jazz and soundsystem culture, with Raelle, Shantéh and Amber-Simone on vocals. It’s out on Exodus, the label behind his previous album.
St. Louis indie rock band Shady Bug released “I wanted to be there”, their third full-length, on 30 October: fourteen tracks on the Julia’s War label.
PQR-Disques plusqueréel has reissued both albums by Detroit band October: “October”, recorded in November 1978, and 1980’s “After the Fall”, on double CD, with the first also on vinyl.
Guitarist David Kollar released “Music From The Bag” on 30 July: nine pieces built from ideas gathered over ten years and finished with drums born of experiments with artificial intelligence.
Twenty European shows with Periphery and Vildhjarta as special guests. Madrid is the only Spanish date, and Barcelona isn’t on the list.
Drummer Ernesto Cervini released “Water Pistols at Dawn” on TPR Records on 30 October, the first album by his new quartet with Kae Murphy, Andrew Marzotto and Mark Godfrey.
Eleven tracks: pieces by Douglas and trombonist Andy Clausen, plus takes on Monk and Bach. Subscribers to the label can download it now.
Gillan had a medical problem in Leipzig and his doctors advise against finishing the tour. All the remaining European and UK shows are postponed.
The French progressive rock band release their third studio album on 13 November, with a manga-inspired universe and “Impregnate Me” as the lead single.
Bassist Billy Mohler releases “Covell” on Contagious Music, a trio with Mark Turner and Joe LaBarbera recorded in one afternoon at the Hotel Covell in Los Angeles and mixed as it was tracked.
Pianist John Donaldson has released “We Were Together, I Forget the Rest” on Hexagonal Records: seven tracks recorded at Real World Studios with Norma Winstone, Rebecka Edlund and Rob Luft.
Spirit Possession, the Portland black metal duo of S. Peacock and A. Spungin, released “Cathedral Speech”, their third full-length album, on 2 October through Profound Lore and Sepulchral Voice.
Stereophrenics, a progressive metal band from Geneva, released “Paracosm 2.0”, their first full-length album, on 16 October: eight tracks, available digitally.
The only Catalan date on a twenty-six-show European tour, with To The Grave and The Gloom In The Corner. Tickets on sale on 6 November.
Barcelona is the first of four Spanish dates and the first show of the whole tour. Tickets go on sale on Friday 6 November.
Six compositions for nine musicians, recorded in Brooklyn straight after presenting them at The Jazz Gallery in January. Out on Intakt Records since 30 October.
Third Sign, the Berlin duo of Lars Mindach and Monika Herold, released their debut album, “The Apocalypse Didn’t Happen”, on 19 June; it’s on the German critics’ rock longlist.
Solstice, Andy Glass’s British band, reissued “New Life”, their second studio album, on 19 August: remastered, with new artwork, and three live tracks added on CD and digital.
Isobar, the San Jose instrumental quartet led by former Metaphor members Malcolm Smith and Marc Spooner, released “Isobar V”, their fifth album, on Trope Audio on 4 September.
The “Eat The Heat” singer will sing a few songs with the band on 21 November in Oberhausen and on 2 December in Milan, during the 50th-anniversary tour.
Vancouver four-piece PISS released their first LP, “you made me / skin on linen”, on 30 October through Sub Pop and Paper Bag: fifteen tracks recorded with Colin Stewart.
Norwich trio Stealing The Fire released “Roadmaps And Rituals”, their fourth full-length album, on 31 July: seven tracks inspired by the folklore of rural England.
Glorious Wolf, the studio project of Dutch guitarist Ruud Dielen, released “Elements Of Hope” on OOB Records on 7 June: nine tracks and eight more musicians.
Art in America, the Detroit band of the Flynn siblings, released “Dreams Of The Disappeared”, their fourth album, on 24 September through Iconoclassic Records.
An expanded reissue of “J-Tull Dot Com”, Jethro Tull’s 1999 album: a Bruce Soord remix, a CD of additional material with unreleased tracks and the album’s first vinyl release.
Phideaux Xavier released “AutoMoto Animus” on 6 July: eight songs recorded in Los Angeles between 2021 and 2025 and produced by Paul Roessler.
Aberdeen band Pallas release “A Song For Tomorrow” on Esoteric Antenna: ten songs in which all four members share the lead vocals.
Michael Moss releases all four volumes of “Quantum Butterfly” digitally: twenty-three tracks and more than four hours with ROOTS to SHOOTS, Ensemble Bows and a 2025 concert at Westbeth.
The band cite a medical emergency involving their 81-year-old singer and are looking for new dates for the two German shows. Tickets remain valid.
Drummer Joey van Leeuwen self-releases “Stray”: ten pieces with Roger Lin on guitar, Sharik Hasan on piano and Chris Worden on double bass.
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