Satanic Planet – Dead Deities
The second album by Satanic Planet, the band of Lucien Greaves, Luke Henshaw, Justin Pearson and Dave Lombardo: eleven tracks on Relapse Records, with Three One G.
The second album by Satanic Planet, the band of Lucien Greaves, Luke Henshaw, Justin Pearson and Dave Lombardo: eleven tracks on Relapse Records, with Three One G.
The Hull band Tim O’Connor founded in 1993 releases what it calls its 25th album: eleven songs recorded in summer 2026 in Scotland.
The Deerhunter frontman has released the first new song from his solo project since “Parallax” on 4AD. Atlas Sound is on the Primavera Sound 2027 bill.
Kelly Green releases “Eat Your Greens”, recorded in New York in February 2026 with Wycliffe Gordon, Scott Robinson, Steve Wilson and Wallace Roney Jr.
Andrew Toombs’ first album as a leader, on Shifting Paradigm Records, with Junius Paul, Makaya McCraven and trumpeters Marquis Hill and Maurice Brown.
With “In The Arms Of A True Believer”, six tracks on Sky River Music, Oded Tzur completes a trilogy dedicated to his wife, Isabela.
The Toulouse doom band put out six tracks on Heavy Psych Sounds, recorded live to analogue tape at Kerwax, including an Eloy cover.
The Norwegian jazz-rock band’s third album, their first without Bernt André Moen and with saxophonist Gisle Johansen as a member. Eight tracks on Is It Jazz? Records.
A 14-CD, three-Blu-ray box with Soft Machine’s five CBS albums, from “Third” to “Seven”, plus BBC sessions, concerts and TV footage, much of it previously unreleased.
The fourth album by Jeremie Arrobas and Thomas Szirmay’s Montreal project, now a quartet with Hansford Rowe and Alain Bellaiche. Nine tracks, the last a Gary Numan cover.
The Norwegian group re-records the song from “Runaljod – Yggdrasil”, with a film shot in Iceland. The vinyl, available to pre-order until 30 November, is out in February.
Matt Carmichael (saxophone) has released “Held In The Dark”, Carmichael’s fourth album, through Porthole Music on 16 October: eight tracks, with Fergus McCreadie on piano and Ali Watson on bass.
Rise Above Records releases “The Guessing Game (Rethink)” on 30 October, a reissue of Cathedral’s 2010 album with a new mix by Jaime Gomez Arellano.
Pi Recordings releases “Hurry Red Telephone”, by the Marc Ribot Quartet, on 30 October: six tracks, four by Ribot and two by Frantz Casséus, on CD, vinyl and digital.
The Gathering have released the live album “Echoes Of Mandylion”, of sixteen tracks, recorded at Doornroosje in Nijmegen from 27 to 31 August 2025, digitally on Bandcamp.
Atomic Kings, with the bassist Greg Chaisson (ex-Badlands), release “Too” on 19 October through FireRock Music Group: their second album, with nine tracks.
Fake Names, with members of Bad Religion and Refused, release “Punk Ruins” on 23 October through Epitaph: twelve tracks recorded at Electrical Audio in Chicago in five days.
Avaland release “Chemical Poetry”, the French band’s third album, with twelve tracks. It is out on 30 October through Storytium, produced by Joost van den Broek.
Leng Tch’e release the EP “Hammered Into Collapse” on 23 October through Season of Mist: two tracks, digital only, and the first new material since “Razorgrind” (2017).
Temple Nightside release “Cenotaph Severance” on 30 October through Iron Bonehead Productions: the Australian band’s fifth album, with eight tracks, on CD and vinyl.
Joanne Shaw Taylor released “The Trouble With Love” on 23 October through Journeyman Records, produced by Kevin Shirley, with Joe Bonamassa and Orianthi as guests.
Maryann Cotton releases “Chester Rose” on 30 October through Deko Entertainment: twelve songs written by Cotton, Dick Wagner and Alice Cooper.
Polyphia, from Plano (Texas), released “Be Not Afraid” on 23 October through Rise Records: a fifth studio album with twelve tracks and RJ Pasin as co-producer.
Dream Unending release “Certain Uncertainties” through 20 Buck Spin: six tracks and guests including Leila Abdul-Rauf, on trumpet.
Michael Kiwanuka releases “FUDGE” on 23 October through Polydor: twelve tracks and the first album produced without Danger Mouse or Inflo.
Ensemble Tikoro, a five-voice choir from West Java, release “Tortoise” on cassette and digital, with parts two and three of the work.
SEK, a Berlin trio, make their debut with “Wallensteins Garage”, five tracks on Exile On Mainstream about General Wallenstein.
Queens of the Stone Age release “Perfecth” on 30 October through Matador: their ninth studio album, produced by Josh Homme and Michael Shuman.
Enslaved release “Mið” on 30 October through Nuclear Blast: eight tracks, two guests and the first album since “Heimdal” (2023).
Anagnorisis, from Louisville, release “Caregriever”, their fourth album and the first since “Peripeteia” (2016), on CD and vinyl.
Zero Hour release the EP “No Man’s Land” with two songs, “Codes Of Violence” and the title track, plus their instrumental versions, on CD and digital.
Clive Nolan releases “Song Of The Winter Throne”, a concept album about the medieval Norwegian king Håkon Håkonsson, with an earbook edition of 2CD and DVD.
Big Crown Records celebrates ten years with “BCR10 – Ten Years of Big Crown Records”, a 25-track double LP of songs from the label’s catalogue and recent releases.
Forbidden release their self-titled album on BLKIIBLK on 23 October 2026, the San Francisco Bay Area band’s first full-length since “Omega Wave” in 2010.
Sue Foley releases “alone (together) A Holiday Companion” on CD and vinyl, eight tracks produced by her and Michael Zschoche.
N8NOFACE releases “Tomorrow’s World” on Stones Throw on 16 October 2026, an album produced by Dave Sitek with Hudson Mohawke, Snow Wife and Angélica Garcia.
The talk took place in London on 30 September, at the launch of the 45th-anniversary reissue of Collins’s solo debut, with new Dolby Atmos and 5.1 mixes by Wilson.
The band found Erik Grönwall’s replacement in their home state, after more than two years off the stage. Nick Raskulinecz produced the Who cover.
Cleopatra reissues the Record Heaven album with Pentagram, The Flower Kings and Nik Turner, which revisits the 1972 debut. The Ministry and Peter Hook versions are on the CD only.
Credo released “We The Disconnected” on 23 October on Gargoyle Records: the British progressive rock band’s first album since “Against Reason” (2011).
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