Sharp Little Bones – Step Up! Get Down!
Seventy minutes from the house trio at Nottingham’s Peggy’s Skylight with Tony Kofi on tenor: Rhodes, bass, drums and a very clear idea of how a groove should move.
Seventy minutes from the house trio at Nottingham’s Peggy’s Skylight with Tony Kofi on tenor: Rhodes, bass, drums and a very clear idea of how a groove should move.
Ten tracks and thirty minutes of electronics, lo-fi and shoegaze about having nowhere to live. Jesper Vervoort says the record was building the home while he made it.
Three tracks, twenty-three minutes and a twelve-minute-forty-seven closer. The surprise EP on which Deafheaven get closer to black metal than they ever have.
Twelve tracks in thirty-one minutes, their twelfth album, and the first in a decade they haven’t produced themselves: Lawrence Mackrory has sharpened the crust without softening it.
Eleven tracks and forty-two minutes, seven years after “The Throne Within”. The Swedes drop the metaphysics and write about being pushed until you refuse.
Thirteen tracks and fifty-eight minutes, three years after “Starcatcher”, with Mike Elizondo producing. The record where the band answers the charge of never changing, and doesn’t quite refute it.
Anna Ueland puts away the synths and the singing and sits at the piano with a Norwegian quintet of trombone and tenor sax. Nine tracks, and the first is a Mort Garson cover.
Five tracks and forty minutes cut in four days at Duper Studio: the Bergen quartet’s seventh album, with two members of Motorpsycho on guitar and drums.
Nineteen pieces for solo piano, from Puccini to Al Green by way of “You Are My Sunshine”: the Springfield pianist, now ninety-one, records for Tzadik.
Black metal with a horn improvising inside it: six movements of “Epoché”, an interlude wedged between the fourth and the fifth, and thirty-four minutes all told.
Five tracks and thirty-seven minutes from the Brazilian duo, with an opening piece of fifteen minutes and forty-nine seconds and three of the five songs sung by guests.
The trio’s first studio album in ten years is dedicated to King Crimson’s “THRAK” and comes in two complete mixes: same material, two different running orders.
The album was a 2014 Delta Groove release. Sean McCue, who recorded it in 2013 in Santa Barbara, has remastered it, and the edition adds two tracks from the same sessions.
The song closes MUSK, Alex Gibney’s documentary, which opens tomorrow in New York and Los Angeles. Byrne wrote it using phrases Musk has used himself in interviews and statements.
Four works out of the 56 entered are played at the Teatro Central on 4 and 5 November. The competition hands out €11,700 and has carried the Barcelona pianist’s name since 1999.
“Joe Strummer 003: The 101’ers Years (1974-1976)” is three CDs and 48 tracks: studio, basement tapes and live recordings restored by Paul Hicks from the original cassettes. A double LP is out too.
Mateusz Owczarek (Lion Shepherd), Michał “Fox” Król and Michał “Malina” Maliński (Hey) complete the line-up. Until now Lunatic Soul was a studio project and had never played live.
“Built From Stardust” captures the 15 March 2025 show at the Revolution Music Room in Little Rock, the day after the studio album appeared. Six tracks, out on Relapse on vinyl and streaming.
It comes out on Roadrunner with Josh Wilbur producing and Jacob Hansen mixing. It is the first album made at The Hangar, the band’s own room in Orlando, and the first with Rüdinger as a member.
Twelve Norwegian hymns arranged for piano, saxophone and double bass, with no drums: the third volume of a series Ulf Krupka’s trio opened in 2014.
The Porto Alegre guitarist’s first album: eight pieces of frevo, baião and samba cut in two to six takes, with an unplanned acceleration left in.
Eleven days of a 2023 European tour edited down to six tracks: a quartet with no harmony instrument, Gerry Hemingway on drums and a sixteen-minute block at its centre.
Erlend Aastad Viken, of Soup, closes the Giant Sky trilogy with eight tracks cut in 2024 and a guitar from Mogwai’s Stuart Braithwaite on the final song.
Seven years without a keyboard player and an anti-war record built on Whitman, Dickinson, Elytis and Ritsos: the Athenians fill the gap with strings, choir and spoken word.
The Londoners’ fifth album is the first with a full-time keyboard player: ten songs that don’t reach forty minutes and trade the long build for the chorus.
From Aix-en-Provence on 13 March to Strasbourg on 4 April, by way of Istanbul, Sofia and Bucharest. Nothing in Spain, and the support acts sit out the opening night.
The quartet built around Colin Edwin and Pat Mastelotto are still touring “Firehose of Falsehoods”, out on 21 March 2025 on Kscope. The calendar has nothing in Spain.
Rou Reynolds says he wrote it during the sessions for April’s album and finished it over the spring and summer. The European arena tour starts on 3 November in Hamburg.
Thomas Mignone directs the video and guitarist Mike Schleibaum places it between “Raging Bull” and the clip for “Mama Said Knock You Out”. It is the Washington band’s eleventh album.
Second and final preview of the sixth album by the Massachusetts band, with a short film by Luke Webster Brown and Elijah Sussman. The European tour starts the day before and skips Spain.
The Mongolian pianist plays with Nils Kugelmann, Simon Comté and Amir Bresler, with Jakob Manz guesting. The first track out is “Do You See the Stars I See?”.
The album came out on 7 October 1986: ten tracks in 28 minutes and 58 seconds. Sound Of Vinyl has the new pressing exclusively, and neither price nor run size has been announced.
“California, Dream On: Aerosmith & Friends” is two nights with The Black Crowes, Run-DMC, Heart, Slash, Sammy Hagar and Tom Morello. The band last played on 9 September 2023.
30 July to 1 August at Magna in Sheffield. The headliner, announced earlier, is Mick Gordon, playing the “Doom” soundtrack in full for the first time.
Zappa Records and Universal put in what was meant to be the 1976 double LP, the old mixes, and two CDs of a Paris show from March that year.
On 10 October, the day Monk would have turned 109, he opens a site with a permanent link. It is 66 songs in a row, no notation and not a word spoken.
Columbia Legacy is putting it out for Record Store Day’s Black Friday, in a limited edition. The quintet is Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette.
The second single is the title track, with a guest vocal. It is the Danish band’s first record since “Call Down the Sun”, from March 2022.
He was diagnosed in February 2026, having just lost a job of twenty years. He is asking for $150,000 for an immunotherapy in Mexico the centre has yet to approve.
Nuclear Blast has put out the second single, “The Myth”. The album was cut at Anselmo’s home studio through 2025, with Keenan and Windstein tracking guitars together.
Readers' survey
Rate up to 150 progressive rock, metal and jazz-fusion bands and get your personal ranking -- plus the Tótum readers' overall one.
I want to vote →