Blueneck – Moonlighting
Ten years, the producer’s illness, the pandemic and a stroke partway through the vocals. The sixth Blueneck album is eight tracks of piano, electronics and guitars moving from dark to light.
Post-rock: instrumentals extensos, crescendos i textures que construeixen l’emoció sense lletra. Tótum Revolútum Press segueix les novetats discogràfiques i els concerts del gènere a Catalunya, des dels referents que el van definir fins als projectes que hi aporten sons nous.
Ten years, the producer’s illness, the pandemic and a stroke partway through the vocals. The sixth Blueneck album is eight tracks of piano, electronics and guitars moving from dark to light.
Raphael Weinroth-Browne builds a 44-minute record out of a single looped, layered acoustic cello — hypnotic at first, formulaic by the second half.
Duncan Attwood of Blueneck explains the decade-long delay behind ‘Moonlighting’: a producer’s illness, the pandemic, and his own stroke mid-recording.
Decibel Books publishes ‘Deconstructing Towers: The Story Of Hydra Head Records’ in December, a 500-plus-page history of the label behind Isis, Botch and Cave In.
Emma Ruth Rundle releases ‘These Killing Times’, her sixth album, recorded with a full band on Errant Child, the label she runs herself.
Russian Circles mark ten years of ‘Guidance’ with a reissue featuring reworked cover art, arriving around 11 December through Sargent House.
The Ocean’s «Solaris», with a largely new line-up, follows a rescue ship fleeing the ruined Earth of «Holocene».
Russian Circles’ ninth album, «Nine», produced by Kurt Ballou: deliberate instrumental post-metal, no surprises but no cracks either.
Debut instrumental album from French duo Ølyp: atmospheric post-metal about ecological crisis without a single sung word, with a guest string quartet.
Bosco Sacro’s «Inhabit» was recorded live over seven days in Tuscany, out via the Ufomammut-linked Supernatural Cat Records.
Caspian’s self-titled sixth album is out 16 October via Wax Bodega, their first new material since «On Circles» (2020).
Alcest’s spring 2027 tour runs from Annecy to Porto with Agriculture in support, still touring behind «Les Chants de l’Aurore».
Sigur Rós close their orchestral tour at the Auditori Fòrum CCIB on 11 September, with the Vallès Symphony Orchestra.
The Messthetics and James Brandon Lewis play Marula Café on 6 November, presenting ‘Deface the Currency’.
Lost In Kyiv and Årabrot share the bill at Razzmatazz 3 on 8 December.
Photo report: Pardals and Maat, two very different takes on post-rock, live at Auditori Joan Bordetas (Calàbria 66), 12 April 2025.
Tótum Revolútum Press readers vote for the best album, best debut and best Catalan album of 2024 — with a photo-finish tie at the top.
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Photo report: Aberhosan Mystery live at Auditori Joan Bordetas (Calàbria 66), 20 April 2024.
The most mysterious band to play Tótum Revolútum on their improvised songwriting, live visuals, and their reunion with Noah Histèria.
Noah Histeria and Aberhosan Mystery live at Calàbria 66, 20 April 2024.
Madrid instrumental band Sekba return with a rhythmically dense post-rock record that could use more melodic anchoring.
A refined, distinguished German debut with real promise, though two tracks could have been left off entirely.
Live report: Explosions in the Sky present END at Razzmatazz, with support from B1N0.
The Arcade Fire cellist’s solo record is unpretentious chamber-post-rock, at its best when Chinese percussion takes over.
Indukti’s swansong “Idmen” (2009): a hypnotic, genre-defying record from the Warsaw band, blending extreme progressive rock, violin and dark atmospheres.