Maserati
Maserati, the instrumental post-rock band from Georgia with an electronic pulse.
Post-rock: instrumentals extensos, crescendos i textures que construeixen l’emoció sense lletra. Tótum Revolútum Press segueix les novetats discogràfiques i els concerts del gènere a Catalunya, des dels referents que el van definir fins als projectes que hi aporten sons nous.
Maserati, the instrumental post-rock band from Georgia with an electronic pulse.
Chavez, the New York math rock and indie rock band of the 1990s.
Slint, the Louisville band whose album Spiderland is a cornerstone of post-rock and math rock.
Polvo, the North Carolina band that pioneered 1990s math rock.
American Football, the foundational emo and math rock band of the 1990s.
Caspian, the American instrumental post-rock band from Massachusetts.
65daysofstatic, the British band that fuses post-rock and glitch electronica.
God Is an Astronaut, the Irish instrumental post-rock band formed by the Kinsella twins.
This Will Destroy You, the Texan atmospheric, instrumental post-rock band.
Explosions in the Sky, the Texas band that is a global reference in instrumental post-rock.
“The Spiritual Sound, Live in Europe 2026” arrives digitally on 2 October and on vinyl and CD on 27 November. Seven of the ten tracks come from the Tilburg festival.
Russian Circles, the Chicago instrumental trio, somewhere between post-metal and post-rock.
Rosetta, the American atmospheric post-metal band from Philadelphia.
Cult of Luna, the Swedish post-metal band, a reference of the genre with Somewhere Along the Highway.
Neurosis, the founding band of post-metal, a direct reference for Isis, Cult of Luna and Rosetta.
Isis, one of the founding bands of post-metal, a reference thanks to Oceanic and Panopticon.
Deafheaven, the American band that brought atmospheric black metal to the indie audience with Sunbather.
Alcest, Neige’s French project, a pioneer of blackgaze, a fusion of black metal and shoegaze.
The Manchester trio’s first studio record in three years builds an immovable base on every one of its five tracks and turns the guitar loose on top. It works — until it repeats.
Toundra, the Madrid band that is the reference for instrumental post-rock in the Spanish language.
Mono, the Japanese orchestral post-rock band, known for the dynamic intensity of its live shows.
Godspeed You! Black Emperor, the Canadian collective that pioneered the most epic and politicised instrumental post-rock.
Mogwai, one of the founding and leading bands of Scottish instrumental post-rock.
Sigur Rós, the Icelandic band, a world reference in atmospheric post-rock and in falsetto singing in “hopelandic”.
Intronaut, the American band that combines technical progressive metal with post-rock atmospheres.
Gazpacho, the Norwegian band of dark atmospheres straddling progressive rock and post-rock.
Everything you hear on this record comes out of one cello, processed until it doesn’t sound like one. Made in Banyuls-sur-Mer, with Matt Elliott singing and a closing track titled in Catalan.
The instrumental quintet from Richmond are back with seven tracks, three of which can already be heard. Two of them run past seven minutes.
Three December 2024 improvisations shaped into pieces of fifteen, fourteen and nineteen minutes. The Scottish quartet puts the drums up front and keeps the synths in the background.
The French cellist made it with producer Basile3 in a studio built for the job. “Colaïdo” takes its name from his father’s sailing boat.
Five tracks of saturated synth-rock produced by Juho Vanhanen, of Oranssi Pazuzu. They’ve previewed “Arms Of None”, with a video.
Ten years, the producer’s illness, the pandemic and a stroke partway through the vocals. The sixth Blueneck album is eight tracks of piano, electronics and guitars moving from dark to light.
Raphael Weinroth-Browne builds a 44-minute record out of a single looped, layered acoustic cello — hypnotic at first, formulaic by the second half.
Duncan Attwood of Blueneck explains the decade-long delay behind ‘Moonlighting’: a producer’s illness, the pandemic, and his own stroke mid-recording.
Decibel Books publishes ‘Deconstructing Towers: The Story Of Hydra Head Records’ in December, a 500-plus-page history of the label behind Isis, Botch and Cave In.
Emma Ruth Rundle releases ‘These Killing Times’, her sixth album, recorded with a full band on Errant Child, the label she runs herself.
Russian Circles mark ten years of ‘Guidance’ with a reissue featuring reworked cover art, arriving around 11 December through Sargent House.
The Ocean’s “Solaris”, with a largely new line-up, follows a rescue ship fleeing the ruined Earth of “Holocene”.
Russian Circles’ ninth album, «Nine», produced by Kurt Ballou: deliberate instrumental post-metal, no surprises but no cracks either.
Debut instrumental album from French duo Ølyp: atmospheric post-metal about ecological crisis without a single sung word, with a guest string quartet.
Readers' survey
Rate up to 150 progressive rock, metal and jazz-fusion bands and get your personal ranking -- plus the Tótum readers' overall one.
I want to vote →