For All We Know – By Design o By Disaster
Ruud Jolie’s intermittent project returns after seven years, with Kristoffer Gildenlöw and Léo Margarit — an accessible, friendly entry point into progressive rock.
Ruud Jolie’s intermittent project returns after seven years, with Kristoffer Gildenlöw and Léo Margarit — an accessible, friendly entry point into progressive rock.
Eighteen March releases in brief: Judas Priest, Myrath, Bruce Dickinson, The Black Crowes and more.
Derek Sherinian and Ron ‘Bumblefoot’ Thal’s new supergroup debuts with polished, correct progressive metal — impeccable execution in search of its own personality.
The Norwegian composer offers a full eleven-track album paired with its own orchestral version, an arrangement exercise more than a reinterpretation.
The Associació Musical Tótum Revolútum announces the dates for the first half of 2024, held at the Calàbria 66 auditorium.
Eight years after their debut EP, Regna return with a mature symphonic-rock album crowned by the 20-minute suite “Accolade”.
Noah Histeria and Aberhosan Mystery live at Calàbria 66, 20 April 2024.
After 17 years of silence, the Californian collective returns with a dark, Dadaist experimental-rock record full of dramatic invention.
The story of ELP drummer Carl Palmer’s spectacular stainless steel kit: a 2.5-tonne, gong-and-church-bell-laden monster that pioneered the modern drum rack.
A new line-up with Alberto Bravin and Oskar Holldorff keeps the classic Big Big Train sound intact — beautifully made, if sometimes short on spark.
Photo report: Randy McStine live at Apolo 2, Barcelona, 1 March 2024.
Norwegian musicians from Wobbler and Jordsjø close their 30-year Airoea trilogy with a warm, retro slice of classic progressive rock.
His thirty-second album is uneven in production but shows Hackett still capable of real guitar magic, especially on “Enter the Ring”.
Meshuggah, The Halo Effect and Mantar live at Razzmatazz, 25 March 2024.
Photo report: Luar na Lubre present their book-and-album «XX – Encrucillada» live at Paral·lel 62, Barcelona, 15 February 2024.
A rediscovered gem of Catalan progressive rock: Metamorfosis’s only album, “Papallones i Elefants” (1982), blending symphonic rock and jazz-fusion.
Photo report: Henry Now — former members of Henry Cow reunited — live at Auditori Tete Montoliu, Barcelona, 13 January 2024.
A consistently melancholic solo record from the former Pain of Salvation bassist — beautiful within its narrow emotional range.
Bruce Soord and Gavin Harrison deliver a polished, consistently excellent record from one of prog’s most respected working bands.
Madrid instrumental band Sekba return with a rhythmically dense post-rock record that could use more melodic anchoring.
A reappraisal of Love’s “Forever Changes” (1967): the psychedelic classic whose disillusioned lyrics and masterful orchestration finally got their due.
Photo report: Etérea and Nuumu Code’s experimental, avant-garde night at Auditori Calàbria 66, Barcelona, 10 February 2024.
From Wendy Carlos to Keith Emerson: how the Moog modular synthesizer, with its patch-cables and ribbon controller, became the sound of Progressive Rock’s most spectacular solos.
Metal veterans Saxon stay true to classic heavy metal form, with songs ranging from Marco Polo to the Battle of Hastings.
This Toulouse trio fuses psychedelia, punk and prog into one of 2024’s most demanding, rewarding albums.
Persefone, Hypno5e, Stellar Circuits and Lampr3a live at La Nau, 15 February 2024.
Photo report: a night of extreme metal with NYDM legends Suffocation headlining, at Salamandra, L’Hospitalet, 31 January 2024.
The Australian band’s sixth album is technically flawless but compositionally repetitive, with a genuinely bloated closing suite.
A striking Finnish debut blending Tool-esque odd meters with unusually strong melodic songwriting.
A record of strong bookends and a less remarkable middle stretch from one of avant-garde jazz’s most respected guitarists.
A warning for die-hard fans only: Morse’s second Joseph instalment recycles every trademark of his 30-year catalogue.
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