The Clash
The Clash, “the only band that matters”, a pillar of British political punk.
Punk i hardcore, l’energia més directa i menys ornamentada dins l’espectre que cobreix Tótum Revolútum Press: novetats discogràfiques, concerts i entrevistes de bandes que aposten per la immediatesa per sobre de la complexitat.
The Clash, “the only band that matters”, a pillar of British political punk.
Sex Pistols, the London band that detonated the explosion of British punk.
The Ramones, the New York band that founded modern punk rock.
Dead Kennedys, the San Francisco band that pioneered political hardcore punk.
Eight tracks on Relapse, written across fourteen years and recorded in three. It’s the first record since 2008’s “Live the Storm” and the last to carry Tomas Lindberg’s voice and Marcus Andersson’s drums.
Have Heart, the New Bedford straight edge hardcore band of the 2000s.
Youth of Today, one of the founding bands of the 1980s straight edge youth crew.
Gorilla Biscuits, one of the key bands of 1980s New York youth crew hardcore.
Rise Against, the Chicago melodic punk band with political lyrics, popular since the 2000s.
Fugazi, Ian MacKaye’s post-hardcore band, a reference for DIY ethics and affordable ticket prices.
Minor Threat, the band that founded straight edge and an absolute reference of American hardcore punk.
Black Flag, one of the founding bands of American hardcore punk, with Henry Rollins as its best-known vocalist.
Bad Brains, the founding band of American hardcore punk, with roots in reggae and jazz fusion.
The album is produced by Chris Walla, formerly of Death Cab for Cutie, and Sarah Tudzin of Illuminati Hotties. Dylan Slocum wrote the song while tapering off antidepressants.
Botch, one of the founding bands of American mathcore in the 1990s.
Converge, one of the founding bands of metalcore, admired for its technical and artistic evolution with “Jane Doe”.
The Dillinger Escape Plan, the American band that took extreme mathcore to unprecedented technical limits.
Refused, the Swedish hardcore band that brought jazz and electronics to the genre with “The Shape of Punk to Come”.
At the Drive-In, the post-hardcore band that was a forerunner of The Mars Volta.
Coheed and Cambria, the American band that tells a single science-fiction saga across its entire discography.
Protest the Hero, the Canadian band that fused technical progressive metal with melodic hardcore roots.
Four nights at the OVO Arena Wembley, 4 to 7 November 2027, and that’s it for now. Twenty-eight years on the road, ten albums and well over 3,000 shows.
It is the first material from the Ghent grindcore band since “Razorgrind” (2017). A video comes with it, and the other EP track is called “Voided”.
Twenty-five minutes and twelve tracks: the Swedes go back to the grindcore of their first records and fold in mathcore, sludge and a saxophone at the end.
Twelve tracks cut by Lawrence Mackrory in a converted Baptist church, with drummer David Stark back behind the kit eleven years on.
The south Londoners open at 7:45 and close at 7:39 on a record that until now would have gone straight at it: Burner’s second album trades the burst for atmosphere, and it works.
“The Bite That Grows Up” arrives on 16 October carrying a vocal take by Peter Clement Lund, the Kollapse singer who died this year.
Six tracks that until now had only circulated as bootlegs, newly mixed by Ian MacKaye. Trust Records puts them out on vinyl, cassette and digital.
The band’s management announced it on 22 September. The 67-year-old guitarist says he plans to keep playing and touring for as long as his health allows.
Chad Gilbert, guitarist and songwriter of New Found Glory, has died at 45 after nearly five years battling illness.
N8NOFACE releases ‘Tomorrow’s World’ on Stones Throw, produced by Dave Sitek, featuring Hudson Mohawke, Angélica Garcia and Nick Zinner.
Fucked Up’s «Year Of The Rooster» closes their twenty-year zodiac cycle, with guests spanning American hardcore and beyond.
Tributes from Duff McKagan and his Dead Boys bandmates for Cheetah Chrome, a founding figure of American punk.
Bagdad! present the EP “Lo sé todo de ti” at Heliogàbal on Friday 9 October, with Maldito Hombre Dardo. Time, price and bill.
Poison Ruïn play Razzmatazz 3 on Monday 2 November. Doors at 8pm and the show at 8.30pm; advance tickets are €23 plus fees and €25 on the door.
Rata play Room 3 at Razzmatazz on Saturday 14 November, doors at 20:00 and concert at 20:30. The show is sold out. Beni Dolores open.
Four hardcore and metalcore bands at La Nau on Saturday 12 December. Doors at seven and tickets from €15. The night is promoted by Your Knife My Back, who also play.
Mujeres bring “Es un dolor inexplicable” to Curtcircuit with Me and the Bees supporting: Tarragona on 18 December and Lleida on the 19th. Times and prices.
EZEZEZ play La Nau on Friday 8 January 2027, doors at eight and the show at half past. Lume! are promoting it and the venue listing does not give a price yet.
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