Spanish Love Songs – Future Nausea
Spanish Love Songs released “Future Nausea” on Pure Noise Records on 6 November: twelve tracks produced by Chris Walla and Sarah Tudzin, their first full-length since “No Joy” (2023).
Punk i hardcore, l’energia més directa i menys ornamentada dins l’espectre que cobreix Tótum Revolútum Press: novetats discogràfiques, concerts i entrevistes de bandes que aposten per la immediatesa per sobre de la complexitat.
Spanish Love Songs released “Future Nausea” on Pure Noise Records on 6 November: twelve tracks produced by Chris Walla and Sarah Tudzin, their first full-length since “No Joy” (2023).
Six tracks Bad Brains recorded at Inner Ear Studios in March 1979 that had never been released, now mixed by Ian MacKaye and put out by Trust Records on 6 November.
Hatebreed released “Fatal Paradox” on BLKIIBLK on 6 November: eleven tracks produced by Zeuss, with Obituary’s John Tardy and a Corrosion Of Conformity cover.
Vancouver four-piece PISS released their first LP, “you made me / skin on linen”, on 30 October through Sub Pop and Paper Bag: fifteen tracks recorded with Colin Stewart.
The second album by Satanic Planet, the band of Lucien Greaves, Luke Henshaw, Justin Pearson and Dave Lombardo: eleven tracks on Relapse Records, with Three One G.
Fake Names, with members of Bad Religion and Refused, release “Punk Ruins” on 23 October through Epitaph: twelve tracks recorded at Electrical Audio in Chicago in five days.
The Leeds trio put out their first album on Damage Limited Records, their own imprint, on 12 February. “Great White Lies” is the preview.
“Revenge Of Nervous Breakdown” is out on 20 November with “Depression”, “Fix Me”, “Revenge” and “Nervous Breakdown”, and a new Raymond Pettibon cover.
Svart Records put out the new album by the Finnish hardcore pioneers, eighteen tracks. Guitarist Ilari Kinnunen says they spent little time polishing the songs this time round.
“Joe Strummer 003: The 101’ers Years (1974-1976)” comes out through Dark Horse with fifteen unreleased demos, twenty-one live recordings and a forty-eight-page book.
It came out of the licensing on the documentary “Wired for Chaos”: the songs had to be recorded again. The latest advance is “It’s The Limit”, with Turnstile’s Meg Mills on guitar.
The third advance track from the second album is a fifteen-minute short film, with Justin Pearson as a priest and Lucien Greaves as Death. Relapse releases the record on 30 October.
The album comes out on 93rpm, the label they founded themselves, and has Comeback Kid’s Andrew Neufeld on one of the ten tracks. It is the second with Eli Santana singing.
The musician has pancreatic cancer. The organisation is raising money for his treatment and the Revelation Records store is selling a shirt with the proceeds going to the fund.
Epitaph has pressed the band’s 1983 second album again, the one with organs and synthesizers, and tucked in a letter signed by Brett Gurewitz and Greg Graffin. It sold out the same day.
The single has Andreas Bjulver guesting and closes an exchange: in September it was Justine Jones singing on Cabal’s “Hurt Me”.
Nine tracks with Adrian Bushby at the desk and George Perks mastering. The tour hits the UK in April and the continent in May, with nothing in Spain.
It is on 24 October at three in the afternoon and you have to RSVP. Donations go to Human Concern International and are split evenly between the three countries.
Twelve tracks in thirty-one minutes, their twelfth album, and the first in a decade they haven’t produced themselves: Lawrence Mackrory has sharpened the crust without softening it.
“Joe Strummer 003: The 101’ers Years (1974-1976)” is three CDs and 48 tracks: studio, basement tapes and live recordings restored by Paul Hicks from the original cassettes. A double LP is out too.
Rou Reynolds says he wrote it during the sessions for April’s album and finished it over the spring and summer. The European arena tour starts on 3 November in Hamburg.
A twelve-inch reference acetate carrying Russ Hodges’ call. The club receives it seventy-five years to the day after the play.
The 3 October episode was hosted by Dakota Johnson. According to Consequence, no hardcore band had played the show since Fear in 1981.
“The World According to The Clash” is out on 13 November with eleven remastered tracks. The 1982 promo had never been put on sale.
“Contra-ICE Vol. 1: ICE OUT” came out on 2 October. The money goes to the day labourer network NDLON and to Unión del Barrio, and Lalo Alcaraz drew the cover.
The track comes from the album they release on 6 November through SharpTone, with the Incendiary singer guesting and a sleeve that was built by hand in Melbourne.
The box holds two LPs and four seven-inches, including an unreleased 1995 New York show. Pre-orders are open and the label places it in January, with no day yet.
“The World According To The Clash” was pressed for US radio DJs ahead of “Combat Rock” and has never been on sale. Eleven songs, out on 13 November.
The statement talks about dormancy rather than a split, but admits the band have no diary beyond 2027. A UK tour and new music come first.
The St Albans band will stop recording and playing from 31 December 2027. “It may end with an eruption back into activity, or may end with extinction.”
Six tracks on Greyscale Records, from the Canadian band that has Stuart Ross, of Comeback Kid and Misery Signals, on one of the guitars.
The Toronto duo’s fifth album lands on 29 January and the title track is out now. The North American tour starts in February.
Twelve songs on Epitaph, cut at Electrical Audio in Chicago with Matthew Barnhart. The ten-date tour starts on 26 January in Umeå and does not come to Spain.
Eleven tracks produced by Chris “Zeuss” Harris, with Obituary’s John Tardy guesting on one and Corrosion Of Conformity’s “Poison Planet” at the end. Six years after “Weight Of The False Self”.
Trapped Under Ice, the Baltimore hardcore band with metal influences from the 2000s.
Terror, one of the benchmark youth crew hardcore bands of the 2000s.
Code Orange, the Pittsburgh band that fuses hardcore, industrial metal and noise.
Knocked Loose, the Kentucky band and a benchmark of contemporary metallic hardcore.
Turnstile, the Baltimore band that has taken hardcore to massive audiences with Glow On.
Bad Religion, one of the founding bands of Californian melodic punk.
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