Ricardo Formoso – Electric Rebound
A Galician fusion quartet with no bass player: the electric piano takes the low lines and Formoso’s flugelhorn carries the tune. Forty-four minutes you won’t find on any platform.
A Galician fusion quartet with no bass player: the electric piano takes the low lines and Formoso’s flugelhorn carries the tune. Forty-four minutes you won’t find on any platform.
From Warsaw to Hamburg in eleven days, touring “And The Dead Tree Gives No Shelter”, out on 5 June. Sweden’s Barrens join from the 20th.
It is the third advance track, after “Lost Fires” and “Molecular Angel”. Five tracks on Pelagic Records, produced by Emmanuel Jessua and mixed by Chris Edrich.
The New Jersey venue announced it on 3 October in a three-line statement. No reason has been given and the tour carries on in Montreal on the 5th.
“Offstage with Orbit Culture”, by Scream Dudes, covers line-up changes, burnout and the labels that never wrote back. The band plays Sant Jordi Club on 13 November.
It happened on 2 October, on the North American tour with Mastodon and Alcest. The EP has no title and no date, and physical copies were on sale at the show.
The 3 October episode was hosted by Dakota Johnson. According to Consequence, no hardcore band had played the show since Fear in 1981.
He said it on the “Sixty Scales And The Truth” podcast on 29 September. The acoustic Metamorphosis tour reaches Salamandra on 10 October.
Twelve songs on REVAMP Music and Warner, her second solo album after “Paragon”. The European tour in January and February has no date in Spain.
Jack Sabbath opened with “Mr. Crowley” and “The Wizard”, with the sons of Tom Morello and Scott Ian on guitar and bass. Butler came out for the third.
The Nigerian pianist sets Yoruba names and dirges next to bebop, with talking drum and voice. The meeting happens more at the album’s surface than in its harmony.
Twenty-eight years after his first album, the Chicago pianist returns with fifteen tracks and ten dedications. The playing is impeccable; the thread holding them together is biographical, not musical.
Violin, bandoneon, piano and bass recorded without an audience in a Polish concert hall. Bałdych alternates a low-tuned Renaissance violin, and almost the whole album is duets.
Z Machine’s saxophonist records an album about water almost single-handed, with glass bottles and water percussion. Two of the eight tracks are the same piece reversed, and that doesn’t hold.
The San Diego sextet fits chamber music, math rock and jazz into nine tracks and thirty-four minutes, with two voices that never stop. That’s also the one thing they can’t vary.
Molstone’s first album arrives twelve years after the band formed, written by the man who sang on the first two Flamborough Head records. Dutch neo-prog with craft, and with a catalogue feel.
John Stirratt and Pat Sansone play seven Spanish dates, two of them in Catalonia: the Festival Accents in Reus and the Antiga Fàbrica Estrella Damm with Delicatessen.
“Santamental” returns on 7 November on CD and digital, with vinyl to follow. It dates from 2003, had gone out of print and had never appeared on digital or vinyl.
“The World According to The Clash” is out on 13 November with eleven remastered tracks. The 1982 promo had never been put on sale.
Three Soundgarden songs at Merriweather Post Pavilion on Saturday 3 October, with the band’s original drummer and Pearl Jam’s guitarist. Morello joined them.
“Contra-ICE Vol. 1: ICE OUT” came out on 2 October. The money goes to the day labourer network NDLON and to Unión del Barrio, and Lalo Alcaraz drew the cover.
Haugg had been in since 2016 and Ruckert since 2018. The band say the decisions were a long time coming and that every announced show will go ahead.
He said it at the Crossroads Guitar Festival in Austin, asked about Eddie Dalton. His line is between using the tool and competing on the same chart as a living musician.
He died on Wednesday 30 September in Juillaguet, in the Charente, where he had lived since 1991 and ran an artists’ residence with his wife, the dancer Michala Marcus.
She died on Friday 2 October surrounded by her family. In September she had cleared the rest of the year for a “serious medical condition” that was never specified.
The run was to open on 8 October in Youngstown with BAT supporting. The band cite a family health emergency and offer no timetable for a return.
The Czech guitarist plays the tunes Miles Davis put his name to without writing them, plus four originals. The premise reads better than it sounds, but “Richard’s Regret” earns it.
Four standards cut in a single take in March 1996 by a marimba, bass and drums trio, forgotten for thirty years and found while remastering the band’s first album.
Ninth album from the Tacoma one-man band: six tracks, forty-three minutes of melodic progressive metal, seven years after “Last Watch Of The Nightingale”.
Fourth studio album from the Loughborough band who were called Minas Tirith in the seventies: twelve tracks, sixty-nine minutes of hard rock with keyboards, nearly all of it mid-tempo.
The British band’s ninth album stacks spoken-word verses, metre changes and bass flute into a record about mental wear, and closes on nine minutes of consolation.
On 1 October at the Palacio de Bellas Artes, with orchestra, choir and Mariachi Gama 1000 for the encore. Today he plays Guanajuato to open the 54th Cervantino.
Vernon Reid was musical director of the 29 September service at Saint Peter’s, with David Murray, Marc Ribot, Jamaaladeen Tacuma and Denardo Coleman. Ulmer died on 3 June, aged 86.
Guitarist Tim Hansen puts his father, of Helloween and Gamma Ray, on a song from “Love Kills!”. The October tour takes Barcelona’s Kilmara along.
Milo Silvestro talks about the first track with the current line-up. The album has ten songs, comes out through Nuclear Blast and still has no date.
Eleven tracks through Sumerian with Henrik Udd and Drew Fulk. The tour with August Burns Red covers nineteen announced cities between 8 January and 6 February, and not one is in Spain.
First show on 1 October in Oklahoma, fourteen songs, with Rudy Sarzo on bass. He replaces Jizzy Pearl, who left in July.
Twelve tracks cut in Studio 2 at Abbey Road, the first album since “Justice” in 2010. Not one member of the band’s original line-up is still alive.
Twelve tracks through Gibson Records, produced by Michael Baskette in Florida. The only Spanish date is the Azkena Rock Festival on 17 June.
Recorded at Dave Grohl’s Studio 606 in January and February, with his son Austin guesting and five videos shot in Nevada. On Iron Maiden he will only say there are surprises.
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