“The Moth (The War – Live From Groningen)” captures the album’s live debut on 28 March 2025 at De Oosterpoort, and now gets its own release.
It is Pearl Jam’s first show since Matt Cameron left in July 2025, and the band has announced no new member.
The guitarist explains how he came to walk on, in a thirteen-part interview with Now Spinning. It was his first with Deep Purple since 1993.
A founding member of the band, he played the Sexecutioner from 1985 to 2022 and co-founded Richmond’s Slave Pit collective. Bassist Casey Orr announced his death.
Ten tracks produced by Kevin Shirley. The latest taster, “You And Me (Rachel’s Song)”, is a song written for her best friend.
The Swedes’ seventh album is their first studio one for Napalm. On “Restless”, Linnéa Vikström Egg sings a father-daughter argument with her actual father.
Twelve tracks about a rock star turned serial killer. It is the last released recording to feature Dick Wagner and Steve Hunter together.
The tapes sat untouched for twenty-five years. Dana Colley has added new saxophone to three songs and the record is out on 4 December via Partisan.
The band’s second album comes out on InsideOutMusic. It nearly became a double and ends up a single, with a disc of instrumentals in the limited edition.
The Texas quartet’s fifth album comes out on Rise Records with twelve tracks, and the Live Nation world tour stops at Razzmatazz with Perturbator.
Real World puts out ten takes from concerts and radio sessions today by the British singer, who lost her voice fifteen years ago. The digital adds six.
The Welsh band’s eighth album carries ten tracks, Chrissy Costanza and Will Ramos guesting, and a European tour that stops in Barcelona two months before.
Twelve tracks cut at the Doom Saloon in Frederick, with banjo for the first time on a record by the Maryland four-piece and producer Machine back.
The third album by the duo of Derrick Vella and Justin DeTore comes out on 20 Buck Spin with six tracks, an Arthur Rizk mix and a Benjamin Vierling cover.
Madfish expands “Front Row Center” with the 1975 Capitol Studios session and the New Paltz show. Eight hours of recordings and a 60-page book.
The album has been held back by a brain haemorrhage and is the first he has produced himself. His live dates remain on hold with no return date.
Five voices from West Java mixing extreme metal technique, overtone singing and the voices of the demons from the Wayang Golek puppet theatre.
The instrumental quintet from Richmond are back with seven tracks, three of which can already be heard. Two of them run past seven minutes.
“Wallensteins Garage” arrives on 30 October through Exile On Mainstream, and carries a nine-minute instrumental about the Battle of Lützen in 1632.
Twelve tracks cut by Lawrence Mackrory in a converted Baptist church, with drummer David Stark back behind the kit eleven years on.
It is the band’s first studio album since “Gravitas” (2014) and it carries two final compositions by John Wetton, who died in 2017.
The Swedish band’s eighteenth album has four songs and two of them run past the quarter-hour. The one the new single comes from runs twenty-eight.
The fortieth-anniversary edition carries the remastered original mix, a new remix built from the stems and the complete 1986 Friday Rock Show session.
He died on 15 September at his home in London, Ontario. He wrote the lyrics to every Max Webster album and to four Rush songs.
Porcupine Tree are already recording a new album and hope to have it finished by 2027, says Gavin Harrison, who also confirms King Crimson is currently inactive.
The French cellist made it with producer Basile3 in a studio built for the job. “Colaïdo” takes its name from his father’s sailing boat.
Jon Courtney’s band put out their seventh album through InsideOut: seven tracks mixed by Bruce Soord, with Mariusz Duda and Kristoffer Gildenlöw on bass.
Kate Stables’ seventh album lands three and a half years after “Careful of Your Keepers” and is trailed by “Skim a Stone”. Twelve songs in all.
“The Bite That Grows Up” arrives on 16 October carrying a vocal take by Peter Clement Lund, the Kollapse singer who died this year.
Relapse have signed them and release “Walk The Winds”, six tracks produced by Monster Magnet’s Phil Caivano. “Black Horizon” is the first taster.
The Swedes’ first album in seven years arrives on Metal Blade with eleven tracks, and their December run through Spain stops at Barcelona’s Upload.
The masked duo from Saguenay take the award for Canadian album of the year and the song prize too, for “Fabienk”. They play microtonal math rock.
Six tracks that until now had only circulated as bootlegs, newly mixed by Ian MacKaye. Trust Records puts them out on vinyl, cassette and digital.
Two bronze sculptures at Lakeside Park in St. Catharines, Ontario. The memorial is expected to open in late 2027.
The band’s ninth album is out on 30 October on Matador, produced by Josh Homme and Michael Shuman. The video was shot in a power station.
Barcelona is the tour’s only Spanish stop when the two Norwegian bands go out together in February 2027. Tickets go on sale on 25 September.
Five tracks of saturated synth-rock produced by Juho Vanhanen, of Oranssi Pazuzu. They’ve previewed “Arms Of None”, with a video.
Dave Holland, Norma Winstone and the London Vocal Project’s record came out in February. The CD reissue went on sale on 22 September.
The third record from the trio of Svetlana Spajić, Andi Stecher and Guido Möbius comes out on Glitterbeat, built from the repertoire Yugoslav emigrants left in Germany.
The Scottish trio released “Roses” on 22 September: their first new music since 2023, and the first track from the record they’re working on, still untitled and undated.
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