Ian Paice posts the drum take for «Arrogant Boy» exactly as it came out of the studio
Six minutes of fixed camera on the drum kit, from the first single off «Splat!», on the Deep Purple drummer’s DrumTribe channel.
Six minutes of fixed camera on the drum kit, from the first single off «Splat!», on the Deep Purple drummer’s DrumTribe channel.
The Detroit band’s seventh album comes out 25 September on Domino, produced by Dave Fridmann. Joe Casey paints the United States as an old hotel.
A new statement from the family details the 3 September lawsuit: an accounting, a valuation of Hinds’ stake in the band’s companies, and a share of the merchandise money.
Fourth album from the technical death metal band, now based in Richmond and fronted by Inter Arma’s singer. They’ve previewed «Quantum Malignancies».
Nine new UK dates from 2 to 16 May, with old tickets still valid. Howe, three months after the operation: “I’m making progress, slowly.”
The founding bassist didn’t play Monday at London’s Eventim Apollo. Davey Rimmer, of Uriah Heep, stood in — Hill’s first absence since 1970.
Cornet, double bass and drums, cut live at Chicago’s Constellation. Josh Berman returns to the trio he first tried in 2015, bop always close at hand and the risk kept well in check.
Forty-one minutes of solo acoustic guitar, no layers, no effects. Matthew Nichols brings metal phrasing to four ten-minute pieces, and sometimes runs short of air.
Sixth album in six years from Ted Leonard and John Boegehold’s quartet, with brass, strings and a bare piano ballad. The craft is impeccable and the ending falls short.
Ten years, the producer’s illness, the pandemic and a stroke partway through the vocals. The sixth Blueneck album is eight tracks of piano, electronics and guitars moving from dark to light.
Sixteen songs from the Allman Brothers, Gov’t Mule and the Grateful Dead with the Asheville Symphony’s sixty-four players, recorded in 2019. The orchestra wins out wherever the jam used to be.
Raphael Weinroth-Browne builds a 44-minute record out of a single looped, layered acoustic cello — hypnotic at first, formulaic by the second half.
Blood Red Shoes self-produce their seventh record — direct and sharp in its best moments, sanded down by glitch effects across the rest.
Beck’s stripped-down fifteenth album, recorded with Nigel Godrich, hypnotizes for half an hour before its own reverb-soaked cohesion becomes a limitation.
Green Carnation close their Rimbaud-inspired trilogy with three band tracks and a 17-minute orchestral suite performed with no distortion, bass or vocals at all.
Nevermore announce twenty-one European dates for spring 2027 under the ‘Liminal Spaces’ banner, playing Barcelona on 20 May.
TEMIC preview ‘Ashes’, the third track from ‘Ceiba’, their concept album about loss, out 2 October through Season of Mist.
Boy Harsher’s first album for Atlantic Records turns their own break-up into twelve tracks that swing from dark synth-pop to western.
Gregory Spawton talks identity, loss and continuity ahead of Big Big Train’s first-ever Spanish show: 7 October at Razzmatazz 2, on the Woodcut tour.
Abbath’s drummer Ukri Suvilehto leaves the band with no explanation given, five days after all remaining 2026 shows were cancelled.
Wadada Leo Smith releases ‘Constellations And Hemispheres’ on 25 September, five pieces recorded across five years with four different line-ups.
Warren Haynes releases the orchestral video for ‘Dreams’, from ‘Dreams & Songs: A Symphonic Journey’, recorded live in his hometown of Asheville.
Angelus Apatrida join the 70000 Tons Of Metal 2027 cruise bill, two months after ‘The Reckoning’, their first EP for new label Napalm Records.
Duncan Attwood of Blueneck explains the decade-long delay behind ‘Moonlighting’: a producer’s illness, the pandemic, and his own stroke mid-recording.
Chad Gilbert, guitarist and songwriter of New Found Glory, has died at 45 after nearly five years battling illness.
Maika Makovski releases ‘Live-Palau!’, the recording of her twentieth-anniversary concert at the Palau de la Música Catalana.
Boy Harsher release ‘GET MEAN’, their first album for Atlantic, closing it out with a 35mm video for ‘Faulty’.
A hand injury keeps John Norum off Swedish TV’s ‘På Spåret’ with Europe, a week before the band release ‘Come This Madness’.
Moonspell drop out of Cradle of Filth’s North American tour over visa delays; Blackbraid takes their place on the bill.
Megadeth mark the fortieth anniversary of ‘Peace Sells… But Who’s Buying?’ with a limited box set out 25 September, forty years to the day after the US release.
Amon Amarth release ‘The Allfather Awakens’ on 2 October, recorded song by song rather than instrument by instrument, and tour Barcelona on 13 November.
Brad Mehldau releases ‘Fantasy & Reveries’ on 13 November, two solo-piano works recorded at the Kronberg Academy in Germany.
Sari Schorr previews ‘Running Wild’, the title track and first song she wrote for her new album, out 9 October in Europe.
Beck releases ‘Ride Lonesome’, his first full-length album since 2019’s ‘Hyperspace’, produced by himself and mixed by Nigel Godrich.
Bjørn Riis closes the ‘Fimbulvinter’ trilogy with ‘Divergence’, four new songs out 13 November on Karisma Records.
Marc Hudson steps back from DragonForce over a tinnitus problem; Alessio Garavello, his former singing teacher, takes his place alongside Alissa White-Gluz.
U.D.O. announce ‘Voodoo Ranger’, their twentieth album, out 8 January, and open their Spanish anniversary tour at Barcelona’s Sala Apolo.
Amanda Somerville has been diagnosed with a malignant, aggressive brain tumour, her husband Sander Gommans announced on social media.
Big Crown Records marks its tenth anniversary with ‘BCR10’, a double LP featuring Lady Wray, El Michels Affair, Brainstory and more, out 30 October.
Matters Unknown, the project of Jonathan Enser, debuts on Tru Thoughts with ‘The Wind and the Forest’, blending spiritual jazz and psychedelic soul.
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