Mantra Machine – Echoes Forest
Six tracks and thirty-four minutes of Dutch instrumental psychedelia, with a Mellotron new to the line-up. It builds well for two thirds and then finishes in a hurry.
Six tracks and thirty-four minutes of Dutch instrumental psychedelia, with a Mellotron new to the line-up. It builds well for two thirds and then finishes in a hurry.
The second album from the Pontevedra group: polished, melodic jazz rock, with a Metheny-leaning guitar solo at the centre of the long track and little to contradict it.
Three December 2024 improvisations shaped into pieces of fifteen, fourteen and nineteen minutes. The Scottish quartet puts the drums up front and keeps the synths in the background.
Ten tracks and thirty-six minutes with Zooid: one past twelve, five that do not reach two. Jose Davila’s tuba carries the bottom again, and the ending dissolves into sketches.
The seven tracks of the 1976 debut, same beds and same running times, sung again in English by Siobhán Owen. A comfortable way in, and not much more.
The French cellist made it with producer Basile3 in a studio built for the job. “Colaïdo” takes its name from his father’s sailing boat.
Jon Courtney’s band put out their seventh album through InsideOut: seven tracks mixed by Bruce Soord, with Mariusz Duda and Kristoffer Gildenlöw on bass.
Kate Stables’ seventh album lands three and a half years after “Careful of Your Keepers” and is trailed by “Skim a Stone”. Twelve songs in all.
“The Bite That Grows Up” arrives on 16 October carrying a vocal take by Peter Clement Lund, the Kollapse singer who died this year.
Relapse have signed them and release “Walk The Winds”, six tracks produced by Monster Magnet’s Phil Caivano. “Black Horizon” is the first taster.
The Swedes’ first album in seven years arrives on Metal Blade with eleven tracks, and their December run through Spain stops at Barcelona’s Upload.
The masked duo from Saguenay take the award for Canadian album of the year and the song prize too, for “Fabienk”. They play microtonal math rock.
Six tracks that until now had only circulated as bootlegs, newly mixed by Ian MacKaye. Trust Records puts them out on vinyl, cassette and digital.
Two bronze sculptures at Lakeside Park in St. Catharines, Ontario. The memorial is expected to open in late 2027.
The band’s ninth album is out on 30 October on Matador, produced by Josh Homme and Michael Shuman. The video was shot in a power station.
Barcelona is the tour’s only Spanish stop when the two Norwegian bands go out together in February 2027. Tickets go on sale on 25 September.
The Italian guitarist returns to the Hammond organ trio and runs two classic Neapolitan songs through it: forty-one minutes of midday stillness and not much of his own material.
The pianist closes a trilogy begun in 1989 in sixty-six minutes, with Steve Gadd, Eddie Gomez and Randy Brecker sharing eleven tracks between New York and Brazil.
Five tracks and thirty-seven minutes from the Osaka quartet, with a thirteen-minute medieval Occitan folk song sitting at the centre of the record.
Eleven tracks of debut from the Manchester quintet, swinging from vaudeville to a shot of NWOBHM without asking: energy to spare and no thread running the whole way through.
Five tracks of saturated synth-rock produced by Juho Vanhanen, of Oranssi Pazuzu. They’ve previewed “Arms Of None”, with a video.
Dave Holland, Norma Winstone and the London Vocal Project’s record came out in February. The CD reissue went on sale on 22 September.
The third record from the trio of Svetlana Spajić, Andi Stecher and Guido Möbius comes out on Glitterbeat, built from the repertoire Yugoslav emigrants left in Germany.
The Scottish trio released “Roses” on 22 September: their first new music since 2023, and the first track from the record they’re working on, still untitled and undated.
Eleven songs mixed and mastered by Andy Sneap, plus two bonus tracks on the CD. They’ve previewed “Fear The Sun”, which Tommy Victor compares to “Beg To Differ”.
The Louisville black metal band’s fourth record comes out on 23 October on CD, vinyl and cassette through four different labels. They’ve previewed “Choke”.
The band’s management announced it on 22 September. The 67-year-old guitarist says he plans to keep playing and touring for as long as his health allows.
A 1984 demo tape that ended up on vinyl in 1985 and now reaches digital with two recovered Rick Helzer pieces and guests Kim Richmond and Mary Fettig.
Debut from the Argentinian trio of Shantala Ferreyra, Fermín Suárez and Gonzalo Goicoechea: clarinet, double bass and drums between tango, free improvisation and a debt to Monk.
Tony Lowe, Peter Coyle and Mark Brzezicki meet again for seven pieces of melodic prog, impeccably produced and cut almost entirely to the same pattern.
Two tracks and twenty-two minutes from the Namur instrumental trio: fifteen minutes of prog with a Latin pulse and a “Setsubun” that never stops changing tempo.
Seven tracks and forty minutes of noisy sludge from London, with cello and acoustic guitar in the middle of «HUMAN RIGHT$». The band’s fourth record, out on Human Worth.
Alto sax, double bass and drums, with no instrument fixing the chords: seven contrafacts and three standards in jazz’s most stripped-down format, cut with two different drummers.
Eight tracks and sixty-three minutes of avant-garde black metal, with Colin Marston back at the desk. The New Yorkers’ first full-length since «Inorganic Rites».
Bill Bruford, Pete Roth and Mike Pratt live: nine pieces recorded between late 2025 and early 2026, with Dvořák taken apart and a «Summertime» that’s hard to recognise.
Eight tracks and thirty-five minutes with Dan Smith on electronics. At eighty-four, Arthur Brown returns to his usual dislocated cabaret with a shorter record than he tends to make.
Mike Hadreas releases the first song since «Glory» on Matador. It’s six minutes from the score for «The Lesson», the piece he premieres with Kate Wallich in February.
The Rochester trio’s seventh record comes out on 4 December on Stickman Records. «The Slick and the Dead» is the first preview, and pre-orders open Friday.
Two new songs and instrumental versions of both, on CD and digital through CynNormal Lab Recordings. It’s the band’s first new material since «Agenda 21», from 2022.
The band’s tenth record comes out on 19 March 2027 on Napalm Records, produced by Jens Bogren. «Hunger Of The Beast» is only streaming on YouTube until Thursday.
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