Seventh Wonder
Seventh Wonder, the Swedish progressive metal band with Mattias Olofsson on vocals since 2026, following Tommy Karevik (Kamelot).
Les novetats, cròniques i concerts de metal que segueix Tótum Revolútum Press: del metal extrem als projectes que aposten per la producció més elaborada i ambiciosa, sense oblidar els clàssics que van fundar el gènere. Cobertura en català, amb crítica de discos i reportatge fotogràfic des de la primera fila.
Seventh Wonder, the Swedish progressive metal band with Mattias Olofsson on vocals since 2026, following Tommy Karevik (Kamelot).
Evergrey, one of the leading Swedish progressive metal bands, led by Tom S. Englund.
Circus Maximus, the Norwegian technical progressive metal band with the voice of Michael Eriksen.
Redemption, the American progressive metal band with Tom S. Englund (Evergrey) on vocals.
Threshold, one of the pioneering bands of British progressive metal in the nineties.
TesseracT, one of the founding and leading bands of the British djent scene.
Animals as Leaders, Tosin Abasi’s instrumental trio and one of the founding bands of the djent scene.
Leprous, the Norwegian band that grew in the shadow of Ihsahn (Emperor) to become one of the big names in today’s progressive metal.
Between the Buried and Me, one of the key American progressive metal and mathcore bands of the 21st century.
Death, Chuck Schuldiner’s band, regarded as the founder of death metal, with a second, progressive phase from “Human” onwards.
Atheist, one of the founding bands of progressive death metal, pioneers in blending jazz fusion into it.
Cynic, the pioneers of progressive death metal, known for fusing robotic vocals and jazz-fusion technique on “Focus”.
Watchtower, the Texan pioneers of progressive thrash, with Jason McMaster (Dangerous Toys) on vocals.
Psychotic Waltz, one of the cult bands of American progressive metal in the 1990s.
Fates Warning, one of the pioneering American progressive metal bands of the 1980s.
Anathema, the Liverpool band that evolved from doom metal towards atmospheric progressive rock.
Katatonia, the Swedish band that evolved from doom-death towards a dark, melancholic progressive rock.
Pain of Salvation, the Swedish band of Daniel Gildenlöw, a leading name in conceptual progressive metal.
Haken, one of the reference bands of the most recent British progressive metal.
Ayreon, Arjen Anthony Lucassen’s conceptual progressive rock project, with dozens of guest singers on each album.
Meshuggah, the creators of djent: extreme polyrhythms and eight-string guitars from Sweden.
Mastodon, the Atlanta band that took conceptual progressive metal to “Crack the Skye” and “Leviathan”.
Queensrÿche, the authors of “Operation: Mindcrime”, one of the reference concept albums of progressive metal.
Symphony X, one of the reference bands of North American progressive metal since the nineties.
Riverside, Mariusz Duda’s Polish band, which carried on after the death of its founding guitarist.
Tool, the most hermetic band in progressive metal: thirteen years between albums, structures inspired by the Fibonacci sequence and a public image that avoids almost any exposure.
Opeth, from the death metal with acoustic passages of “Blackwater Park” to the total turn towards seventies progressive rock beginning with “Heritage”: Mikael Åkerfeldt has never stopped changing the band’s sound.
Dream Theater, the band that took progressive-metal technique to the extreme at the Berklee College of Music, with an unexpected radio hit, “Pull Me Under”, and a drummer’s exit and return that marked two decades of the band.
“The Light Refuses Me” is on Bandcamp already and reaches the other platforms next week. He wrote, recorded, produced and played it alone, in one afternoon this summer.
Their first single for the Italian label lands just before the Dirty Halo Tour, which starts on 2 October. The follow-up to “Abrakadabra” is already in the studio.
The guitarist confirms every original member, Udo Dirkschneider included, was invited onto “Teutonic Titans 1976–2026”. None accepted.
Napalm releases it on 19 March 2027, produced by Jens Bogren. The European tour runs from Paris to Manchester and skips the Iberian peninsula.
They open on 3 July at Wembley, the only European date, with Marilyn Manson, Lorna Shore and Hatebreed. General on-sale is 2 October.
Seventy-four minutes across seven tracks: the seventh album by Basque band Altarage is the longest of their career and the first to use drone as building material rather than effect.
The bassist who replaced him in Metallica remembers seeing him play in 1985 and what it made him think. Burton died on 27 September 1986.
Nine tracks produced by guitarist Chris Porcianko and drummer Damien Hall, with “Bring Me The Night” already out. No label has been announced.
Ten tracks on Spinefarm, produced by Carl Bown, with Will Ramos and Chrissy Costanza guesting. It’s the eighth album, six years after the last.
Four tracks and twenty-three minutes of instrumental prog metal written from behind the kit. The first solo EP by the drummer of Konom, who covered for Dave Lombardo in Empire State Bastard.
It is the first material from the Ghent grindcore band since “Razorgrind” (2017). A video comes with it, and the other EP track is called “Voided”.
Ten tracks produced by Howard Benson, the band’s first record since co-vocalist Carla Harvey left in 2024. Heidi Shepherd explains its origin.
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