High Parasite unveil «The Screams That Come», a standalone single while they work on their second record
Aaron Stainthorpe’s High Parasite preview a 2027 second album with a standalone single produced by Paradise Lost’s Gregor Mackintosh.
Aaron Stainthorpe’s High Parasite preview a 2027 second album with a standalone single produced by Paradise Lost’s Gregor Mackintosh.
Caspian’s self-titled sixth album is out 16 October via Wax Bodega, their first new material since «On Circles» (2020).
Green Lung’s fourth record «Necropolitan» is built around London’s Magnificent Seven garden cemeteries and the Necropolis Railway.
Spiritbox drop «Mourning» with no announcement, mid-tour in Europe with Jinjer and Dying Wish, and with no third record yet confirmed.
Norwegian folk-metal band Gåte’s «Sigil», their first record for Season of Mist, follows their 2024 Eurovision entry «Ulveham».
Alcest’s spring 2027 tour runs from Annecy to Porto with Agriculture in support, still touring behind «Les Chants de l’Aurore».
Century Media release a continuous animated film covering At the Gates’s full album, built around Tomas Lindberg’s final vocal takes before his death.
Anthrax previewed their first record in ten years at a sold-out Saint Vitus Bar show, including a surprise Sick Of It All cover.
Eric Forrest stepped in for Denis «Snake» Bélanger and ended up playing Voivod’s entire European tour, twenty-five years after leaving the band.
Dailor discusses the documentary released ahead of «Marrow Deep», Mastodon’s first record without founding guitarist Brent Hinds.
White-Gluz’s new all-female band Blue Medusa played their first show at a sold-out Berlin club night alongside Kreator and Heaven Shall Burn.
«Toxicity»’s 25th-anniversary reissue finally gives «Johnny» a proper digital release and fixes the hidden track’s twenty-five-year-old title error.
Andy Williams, Every Time I Die’s founding guitarist and a professional wrestler, has died after collapsing during a wrestling event in Pittsburgh.
Andy Sheppard’s drumless ECM trio with Rita Marcotulli and Michel Benita is out 11 September; he also revisits his years busking in Paris.
«Be As Kings, Be As Gods» is All Shall Perish’s first new song since 2011, backed by a $75,000 crowdfunding campaign for the full record.
Slayer’s first show in a year featured the full «Reign in Blood» album on its fortieth anniversary, plus tracks unheard live since as far back as 2014.
Catley credits Tobias Sammet’s Avantasia tour with getting him back on stage, and former guitar tech Brendon Riley with filling Clarkin’s spot.
Kim Thayil, Matt Cameron and Ben Shepherd are rebuilding Soundgarden’s final record from Chris Cornell’s last sessions, delayed nine years by a legal dispute.
Behemoth’s «I, Scvlptor» pairs re-recorded early material with tributes to Venom and Bathory, featuring Shagrath and Sakis Tolis as guests.
Scorpions push their Mexico shows and Las Vegas residency to 2027, citing «unforeseen circumstances» and promising European dates for the same tour.
Rudess plays two shows at MIT Future Fest with jam_bot, an AI trained on his playing, including a world-premiere improvisation with the MIT Chamber Chorus.
Black Sabbath’s original drummer tells Drum Talk TV about a near-finished, genre-blurring new record and two or three more waiting behind it.
SATCHVAI’s «The Sea of Emotion» is out 6 November via earMUSIC, with Kenny Aronoff, Mike Mangini and Billy Sheehan guesting.
Iron Maiden reissue «Somewhere in Time» on oxblood vinyl on 4 December, plus a nine-album box set marking the band’s fiftieth anniversary.
Cassandra Wilson, the contralto who reinvented vocal jazz with «Blue Light ‘til Dawn», has died at her home in Jackson, Mississippi.
Be Prog! My Friend returns to La Carpa at Poble Espanyol on 26-27 September 2025, headlined by TesseracT and The Pineapple Thief.
Sixstring and Vincent Black Shadow play a solidarity concert on 30 November at the Calàbria 66 Auditorium, with all ticket proceeds going to the Catalan Red Cross’s DANA appeal.
An in-depth look at tribute bands, mega-festivals and streaming economics, and why Tótum Revolútum bans tribute acts from its own concerts.
The Associació Musical Tótum Revolútum announces the dates for the first half of 2024, held at the Calàbria 66 auditorium.
Steve Hackett’s 13-track concept album «The Circus And The Nightwhale» arrives 16 February 2024 via InsideOut Music, with Nad Sylvan, Jonas Reingold and Amanda Lehmann among the guests.
Devin Townsend explains «The Puzzle», the lockdown-born multimedia project visualising an inner dialogue and its resolution.
Opeth have put together a special vinyl reissue to mark the 20th anniversary of «Damnation» (2003). Pre-orders are open now.
Michael League’s instrumental outfit FORQ announce a new album for spring 2024 alongside plans for next year’s tour.
Riverside’s Mariusz Duda explores AI as a disruptor on «AFR AI D», his fourth solo album, out 17 November through Kscope.
Dream Theater announce the return of founding drummer Mike Portnoy, reuniting the band’s classic line-up for their sixteenth studio album.
Tauk announce «Equalizer», seven new high-energy tracks out 27 October 2023, described by the band as a return to their formative writing style.
Ozric Tentacles return with «Lotus Unfolding», six new tracks recorded at their own Blue Bubble studio, out 20 October through Kscope.
Marillion return to Barcelona on 25-26 June 2027 for a Marillion Weekend at L’Auditori — the promoter grew out of the band’s own Spanish fan club.
Sue Foley releases her Christmas album «alone (together) A Holiday Companion» on 30 October, closing it with a blues-inflected cover of AC/DC’s «Ride On».