Boston
Boston, the band of guitarist and engineer Tom Scholz, with one of the best-selling debut albums in history.
Els clàssics del rock —rock clásico— que van obrir el camí abans que el gènere es ramifiqués en el progressiu, el metal o el punk: de les grans bandes dels seixanta i setanta a qui encara en beu directament avui. Tótum Revolútum Press hi recull ressenyes, novetats i concerts.
Boston, the band of guitarist and engineer Tom Scholz, with one of the best-selling debut albums in history.
Foreigner, the Anglo-American classic rock band behind anthems such as “I Want to Know What Love Is”.
Bad Company, the British supergroup of Paul Rodgers (Free) and members of Mott the Hoople and King Crimson.
Free, the British blues-rock band known for “All Right Now” and the forerunner of Bad Company.
The Who, one of the great British bands, pioneers of the rock opera with Tommy and Quadrophenia.
Led Zeppelin, one of the most influential bands in the history of rock, disbanded after the death of John Bonham.
Deep Purple, one of the great founders of hard rock, with “Smoke on the Water” as a universal anthem.
Rory Gallagher, an Irish blues-rock guitarist, a benchmark for live performance and unadorned simplicity.
Dixie Dregs, Steve Morse’s instrumental band, a fusion of country, jazz and progressive rock.
New Trolls, the Genoese band known for Concerto Grosso, the fusion with a classical orchestra by Luis Bacalov.
Steely Dan, the duo of Donald Fagen and Walter Becker that brought the harmonic sophistication of jazz to studio-produced rock.
Uriah Heep, one of the founding bands of British progressive hard rock in the seventies.
Family, the British band with Roger Chapman’s vibrant voice and a reference point of late-sixties progressive rock.
The Nice, Keith Emerson’s band before Emerson, Lake & Palmer and a pioneer in fusing rock and classical music.
Procol Harum, the authors of “A Whiter Shade of Pale” and pioneers in bringing classical music to rock.
Alan Parsons Project, the production and songwriting duo of Alan Parsons and Eric Woolfson.
Asia, the supergroup of John Wetton (King Crimson), Steve Howe (Yes), Geoff Downes (Yes) and Carl Palmer (ELP).
Styx, the band behind “Come Sail Away” and one of the key American progressive rock and AOR bands of the 1970s.
Kansas, the band behind “Carry On Wayward Son” and a benchmark of 1970s American progressive rock.
Barclay James Harvest, one of the classic British symphonic progressive rock bands of the 1970s.
Five tracks cut live in a room at Chapel Studios with the classic line-up, mixed by Mike Fraser, the man behind Aerosmith’s “Pump” and “Permanent Vacation”.
Europe’s twelfth album lands nine years after Walk the Earth, produced by Tom Dalgety and mixed by Mike Fraser: eleven tracks, forty-one minutes, nothing over five.
Fourteen tracks on earMUSIC, the second album from Tommy Henriksen’s project. The new single is “Riding With Angels”, after “Thunder Love”.
Out on Friday through Provogue, with Richard Watts singing and Chris Taggart on drums, and a lyric video for “Faith”.
The guitarist explains how he came to walk on, in a thirteen-part interview with Now Spinning. It was his first with Deep Purple since 1993.
Twelve tracks about a rock star turned serial killer. It is the last released recording to feature Dick Wagner and Steve Hunter together.
Twelve tracks cut at the Doom Saloon in Frederick, with banjo for the first time on a record by the Maryland four-piece and producer Machine back.
Stace leaves folk-rock behind for the groove of the CTI records: eleven songs arranged with David Nagler, from mambo to samba, cut at Studio 1935 in Philadelphia.
It is the band’s first studio album since “Gravitas” (2014) and it carries two final compositions by John Wetton, who died in 2017.
The fortieth-anniversary edition carries the remastered original mix, a new remix built from the stems and the complete 1986 Friday Rock Show session.
He died on 15 September at his home in London, Ontario. He wrote the lyrics to every Max Webster album and to four Rush songs.
Eleven tracks of debut from the Manchester quintet, swinging from vaudeville to a shot of NWOBHM without asking: energy to spare and no thread running the whole way through.
Eight tracks and thirty-five minutes with Dan Smith on electronics. At eighty-four, Arthur Brown returns to his usual dislocated cabaret with a shorter record than he tends to make.
Six minutes of fixed camera on the drum kit, from the first single off «Splat!», on the Deep Purple drummer’s DrumTribe channel.
Sixteen songs from the Allman Brothers, Gov’t Mule and the Grateful Dead with the Asheville Symphony’s sixty-four players, recorded in 2019. The orchestra wins out wherever the jam used to be.
A hand injury keeps John Norum off Swedish TV’s ‘På Spåret’ with Europe, a week before the band release ‘Come This Madness’.
Rival Sons will start recording their new album in January, guitarist Scott Holiday says, with no release expected before late 2027.
Bad Company release ‘Live In London’, recorded at the O2 Arena in 2016 — the last show Mick Ralphs played before the stroke that ended his touring career.
Graveyard premiere the ‘Tongue Tied’ video, second preview of ‘Fever’, their seventh album, out 9 October through Nuclear Blast.
Gary McCracken, Max Webster’s drummer and co-writer of ‘A Million Vacations’, has died at 75. He also recorded ‘Battle Scar’ with Rush alongside Neil Peart.
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