Mariusz Duda returns with fourth solo album «AFR AI D»
Riverside’s Mariusz Duda explores AI as a disruptor on «AFR AI D», his fourth solo album, out 17 November through Kscope.
Riverside’s Mariusz Duda explores AI as a disruptor on «AFR AI D», his fourth solo album, out 17 November through Kscope.
Dream Theater announce the return of founding drummer Mike Portnoy, reuniting the band’s classic line-up for their sixteenth studio album.
Tauk announce «Equalizer», seven new high-energy tracks out 27 October 2023, described by the band as a return to their formative writing style.
Ozric Tentacles return with «Lotus Unfolding», six new tracks recorded at their own Blue Bubble studio, out 20 October through Kscope.
Eleven June-July 2026 releases reviewed: Ayreon, Snarky Puppy & Metropole Orkest, The Samurai Of Prog and more.
Seven July-August 2026 releases reviewed: Mono, Satoko Fujii Orchestra Kobe, Anthony Phillips and more, plus what’s coming this autumn.
Thirty-four April-May releases in brief: Amarok, Haishen, Wheel, Bear McCreary and more.
Eighteen July releases in brief: Rivers Of Nihil, Styx, Impureza, Crown Lands and more.
Fourteen June releases in brief: Katatonia, King Gizzard & The Lizard Wizard, Fallujah and more.
Twenty-three May releases in brief: Candlemass, The Flower Kings, Kadavar, Ghost Bath and more.
Twenty-one April releases in brief: Ghost, The Mars Volta, Panzerballett, Hiromi Uehara and more.
Twenty-six November releases in brief: Opeth, Klaus Schulze, Rick Wakeman, Vola and more.
Twenty-two February releases in brief: Dream Theater, Avantasia, Rioghan, Squid and more.
Twenty-seven March releases in brief: Steven Wilson, Jethro Tull, IQ, Coheed and Cambria and more.
Twenty October releases in brief: Blood Incantation, Frost*, Devin Townsend, Von Hertzen Brothers and more.
Twenty September releases in brief: David Gilmour, Pure Reason Revolution, Weather Systems, Steve Howe and more.
Twenty-one August releases in brief: Jon Anderson & The Band Geeks, King Gizzard, Leprous, Moonloop and more.
Seventeen June releases in brief: Black Country Communion, Alcest, DarWin, Meltem and more.
Fifteen December releases in brief: Jazz Sabbath, Fleshgod Apocalypse, Odd Crew Part III, Wizrd and more.
Eighteen March releases in brief: Judas Priest, Myrath, Bruce Dickinson, The Black Crowes and more.
Fourteen January releases in brief: Pentagram, Jazz Sabbath spoofs aside, Krokofant, Sotomonte and more.
Fifteen July releases in brief: Deep Purple, Focus, Judas Priest-adjacent power metal, Barcelona’s own Ulls, and more.
Five March 2026 releases reviewed: Frost*, Agent Fresco, Wheel, Meer and a Krokofant live album.
Ten tracks that thrilled us in 2024, from DarWin and Gardenhead to Jon Anderson & The Band Geeks and Frost*.
Tótum Revolútum Press readers vote for the best album, best debut and best Catalan album of 2024 — with a photo-finish tie at the top.
A scathing takedown of Roger Waters’s spoken-word reinterpretation of Pink Floyd’s classic — an old man nobody asked to hear from, talking over every track.
A lean 35-minute instrumental record that fuses jazz-rock and prog with impeccable taste — short, good, and twice as good for it.
A technically flawless quartet record that never quite shakes off the feeling of already-heard jazz-fusion ideas.
Green Carnation close their Rimbaud-inspired trilogy with three band tracks and a 17-minute orchestral suite performed with no distortion, bass or vocals at all.
Beck’s stripped-down fifteenth album, recorded with Nigel Godrich, hypnotizes for half an hour before its own reverb-soaked cohesion becomes a limitation.
Blood Red Shoes self-produce their seventh record — direct and sharp in its best moments, sanded down by glitch effects across the rest.
Raphael Weinroth-Browne builds a 44-minute record out of a single looped, layered acoustic cello — hypnotic at first, formulaic by the second half.
Spain’s biggest-selling thrash band delivers a punishing, 59-minute record that sticks to every genre standard — and does it very well.
A Hull–Porto duo’s Muse-indebted debut album shows what long-distance songwriting by file transfer gains — and loses.
The endlessly unpredictable Australians swap guitars for synths on a mostly forgettable electronic detour.
A French keyboardist’s Saga- and Toto-inflected prog record, engaging and richly produced from start to finish.
A Finnish trio’s second album is a superb, no-holds-barred statement — one of the bands to watch on the European prog scene.
53 musicians later, Gong’s current line-up honours Daevid Allen’s legacy with a classicist, meditative record.
A record of two halves: an entertaining, melodic first act undone by a saccharine, dated-sounding second one.
A Barcelona band’s third record is let down by heavy mastering compression — the songwriting and live energy deserved better.