Kamelot
Kamelot, the American band and a reference in power metal with a symphonic and gothic touch.
Kamelot, the American band and a reference in power metal with a symphonic and gothic touch.
Angra, the Brazilian band that pioneered Latin American power metal.
Helloween, one of the founding bands of European power metal.
Blind Guardian, the German epic power metal band, known for its Tolkien-inspired lyrics.
Nightwish, the Finnish band that is a global reference in symphonic metal.
Sepultura, the Brazilian band that took thrash and groove metal to the world stage.
Anthrax, the New York band among the Big Four of thrash metal, a benchmark of the genre in the 1980s.
Megadeth, Dave Mustaine’s band (ex-Metallica), one of the Big Four of thrash metal.
Slayer, one of the Big Four of American thrash metal, a byword for aggression and speed.
Metallica, the Los Angeles band that took thrash metal into the stadium.
Freddie Hubbard, an essential trumpeter of hard bop and 1970s jazz fusion.
The Eleventh House, the jazz fusion band led by guitarist Larry Coryell.
Larry Coryell, a pioneering jazz fusion guitarist, often called the “godfather” of the genre.
Herbie Hancock, one of the great pianists of modern jazz and a jazz-funk pioneer with Head Hunters.
Tony Williams Lifetime, the pioneering jazz fusion band founded by Miles Davis’s drummer.
Present, the Belgian band founded by Roger Trigaux (ex-Univers Zero), a pillar of Rock in Opposition.
Etron Fou Leloublan, the most eccentric French band of Rock in Opposition, a fusion of rock and absurdist theatre.
Stormy Six, the Milanese progressive rock and political song band, a founding member of Rock in Opposition.
Aksak Maboul, Marc Hollander’s Belgian project, a landmark of Rock in Opposition and the pop avant-garde.
Art Zoyd, one of the founding bands of French Rock in Opposition.
Jane, one of the most popular krautrock and progressive hard rock bands in 1970s Germany.
Panna Fredda, one of the first Italian progressive rock bands, with a single cult album.
Biglietto per l’Inferno, a cult Italian progressive rock band with a single landmark album.
Celeste, the cult progressive rock band from Sanremo, a reference for the melancholic, Mellotron-laden Italian sound.
Locanda delle Fate, one of the last great classics of 1970s Italian symphonic progressive rock.
“Heavy Metal’s Big Four” is by Daniel Bukszpan, author of “Rush At 50” and “Iron Maiden At 50”, and works through Metallica, Megadeth, Anthrax and Slayer year by year.
Myrath have put the version out midway through the “Wilderness of Mirrors” tour, which has five Spanish dates and closes its European leg on 28 October in Villeurbanne.
The third chapter of the French band’s metal opera, produced by Joost van den Broek. The track they’ve put out was the weakest on the demos until the riffs went in.
The Croydon collective’s fourteenth album, just over a year on from “Glass Minds”. Eleven tracks on Dangervisit and [PIAS], with a 2027 tour taking in four German cities.
“The Spiritual Sound, Live in Europe 2026” arrives digitally on 2 October and on vinyl and CD on 27 November. Seven of the ten tracks come from the Tilburg festival.
Twenty-four nights from Bournemouth to Cadogan Hall, between 28 April and 29 May 2027. The name comes from the nonsense words he uses to fix a melody’s metre before writing the real lyric.
It’s the first European date of the comeback, announced with a “Surprise! We’re alive!”. Faith No More have not played since August 2016, and in January and February they play four shows in Australia and New Zealand.
Dave Grohl, Krist Novoselic and Pat Smear picked it up on 27 September at the Peacock Theater in Los Angeles, handed over by Chuck D. The band shot seven videos before 1994.
Eight tracks on Relapse, written across fourteen years and recorded in three. It’s the first record since 2008’s “Live the Storm” and the last to carry Tomas Lindberg’s voice and Marcus Andersson’s drums.
Fen’s Doug Harrison opens his EP with a declared homage to “Something in the Way”, cut on a twenty-pound guitar. The five tracks that follow don’t get near it.
An elegy for Fowler’s father, the song played at his wedding, and six improvisations taped in one Brooklyn afternoon with nothing said beforehand. A duo that listens hard.
Cut at Abbey Road in three days and put out on their own label: Uncle Acid’s seventh heads back to familiar ground, with Rachel Burnett’s saxophone the best thing on it.
Bloque, the Cantabrian progressive rock and jazz-rock band with flamenco influences.
Storm, the Seville hard rock and psychedelic rock band of the 1970s.
Smash, the Seville band that pioneered the fusion of flamenco and progressive rock.
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